CHARLES IVES (1874-1954)
9 SongsGEORGE CRUMB (1929-2022)
Apparition, for soprano & amplified piano
(Text by Walt Whitman)
Mezzo-soprano Vocals – Jan DeGaetani
Piano – Gilbert Kalish
Piano [Amplified] – Gilbert Kalish
quinta-feira, 2 de maio de 2024
CHARLES IVES : 9 Songs • GEORGE CRUMB : Apparition (Jan DeGaetani · Gilbert Kalish) (1987) FLAC (image+.cue), lossless
GEORGE CRUMB (1929-2022)
Apparition, for soprano & amplified piano
(Text by Walt Whitman)
Mezzo-soprano Vocals – Jan DeGaetani
Piano – Gilbert Kalish
Piano [Amplified] – Gilbert Kalish
CHARLES IVES : String Quartets (Blair String Quartet) (2006) FLAC (tracks+.cue), lossless
Charles Ives, a New Englander by birth and character, began composing at
the age of eleven, although after deciding that he would never make a
living with his music he pursued a successful career in insurance. He
was trained by his father George, a bandleader, who encouraged him to
experiment with the unconventional techniques that were to become his
signature, such as polytonality, microtones and spatial performance.
Ives’s two string quartets are as unalike in origin as they are in
content. The First Quartet uses his beloved revival and gospel hymns as
musical sources, and its energy and originality provide an early example
of Ives’s highly original creative powers. The highly complex Second
String Quartet was born of a typical Ives rage against what he perceived
as the effeminacy of standard string quartet performances. Ives himself
summarised the work’s programme as: ‘four men – who converse, discuss,
argue ... fight, shake hands, shut up – then walk up the mountainside to
view the firmament’. Naxos
ORPHEUS CHAMBER ORCHESTRA – A Set of Pieces : Music by Charles Ives (1994) APE (image+.cue), lossless
Three Places In New England ("First Orchestral Set")
A Set Of Pieces
Symphony No. 3 "The Camp Meeting"
Set No. 1, for theater orchestra (6), S. 10 (K. 1C31)
Orchestra – Orpheus Chamber Orchestra
Piano – Gilbert Kalish
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