For much of the nineteenth century in Sweden, music-making was confined
to small-scale chamber music at home. Ambitious composers had to move
abroad to seek acceptance of their work. Berwald’s Violin Concerto was
performed only once in Sweden during his lifetime, and on that occasion
the audience laughed. It was not until a century later, when Tor Aulin
and Wilhelm Stenhammar led a Berwald revival, that this sparkling work
was performed throughout Europe. Stenhammar’s two Romances were written
during one of the most creative periods of his life. Full of feeling,
they are models of the genre. The two Romances were given their first
performance by Tor Aulin, whose own Violin Concerto No. 3 belongs firmly
to the world of Brahms and the central European romantic tradition. naxos
FRANZ BERWALD (1796-1868)
1-3. Violinkonsert I Ciss-Moll, Op 2 (21:38)
WILHELM STENHAMMAR (1871-1927)
4-5. Två Sentimentala Romanser, Op 28
TOR AULIN (1866-1914)
4-8. Violinkonsert Nr 3 I C-Moll, Op 14 (30:59)
Credits :
Conductor – Niklas Willén
Cover [Omslagsbild - "Hoga-dal På Tjörn"] – Karl Nordström
Orchestra – Svenska Kammarorkestern
Violin – Tobias Ringborg 
opus ohm
sexta-feira, 13 de fevereiro de 2026
BERWALD · STENHAMMAR · AULIN : Swedish Romantic Violin Concertos (Niklas Willén · Swedish Chamber Orchestra · Tobias Ringborg) (1999) Two Version | FLAC (image+tracks+.cue), lossless
A Bassoon in Stockholm — FRANZ BERWALD : septet & quartet • ÉDOUARD DU PUY : quintet (Donna Agrell) (2015) SACD | Two Version | FLAC (image+tracks+.cue), lossless
BERWALD (1796-1868)
1-3. Septet In B Flat Major For Clarinet, Horn, Bassoon, Violin, Viola, Cello And Double Bass (23:15)
7-9. Quartet In E Flat Major For Piano, Clarinet, Horn And Bassoon (23:43)
ÉDOUARD DU PUY (1770-1822)
4-5. Två Sentimentala Romanser, Op 28
Credits :
Bassoon, Liner Notes – Donna Agrell
Cello – Albert Brüggen
Clarinet – Lorenzo Coppola
Double Bass – Robert Franenberg
Fortepiano – Ronald Brautigam
Horn – Teunis van der Zwart
Viola – Yoshiko Morita
Violin – Franc Polman 
KUHLAU · BERWALD : Piano Concertos (Maurizio Paciariello · Sassari Symphony Orchestra · Roberto Diem Tigani) (2002) Two Version | APE (image+tracks+.cue), lossless
1-3. Piano Concerto in C major op.7
FRANZ BERWALD (1796-1868)
4-6. Piano Concerto in D major
Credits :
Maurizio Paciariello - Piano
Sassari Symphony Orchestra
Roberto Diem Tigani - Conductor
terça-feira, 10 de fevereiro de 2026
BERWALD : Symphonies and Overtures (SRSO · Roy Goodman) 2CD (2004) Serie Dyad | Two Version | FLAC (image+tracks+.cue), lossless
This set contains the four complete surviving symphonies, the fragmentary youthful A major Symphony (completed for this recording by Duncan Druce), and overtures to two of the composer's most successful operas.
There could be no orchestra more qualified to record the works of Berwald than that of the Swedish Broadcasting Corporation. Here they are conducted by Roy Goodman and recorded in the Berwald Hall in Stockholm. Hyperion
FRANZ BERWALD (1796-1868)
Tracklist 1 :
1. Overture To Estrella De Soria (1841) 7:56
2-4. Sinfonie Singulière (Symphony No.3 In C Minor) (1845) (27:53)
5. Overture To The Queen Of Golconda (1864) 7:41
6-8. Sinfonie Capricieuse (Symphony No.2 In D Major) (1842) (27:20)
Tracklist 2 :
1. Symphony In A Major, Fragment (1820)
(Edited By [Completed By] – Duncan Druce)
2-5. Sinfonie Sérieuse (Symphony No.1 IN G Minor) (1842) (30:38)
6-8. Symphony No.4 In E Flat Major ("Sinfonie naïve") (1845) (27:21)
Credits :
Conductor – Roy Goodman
Cover [Illustration: "Dawn Over Riddarfjardin" (1899)] – Eugène Jansson
Leader [Swedish Radio SO] – Ulf Forsberg
Liner Notes – Roy Goodman
Orchestra – Swedish Radio Symphony Orchestra
sábado, 7 de fevereiro de 2026
FRANZ BERWALD : Symphonies Nos. 1-4 (Thomas Dausgaard) 2CD (2004) Two Version | APE (image+.tracks+.cue), lossless
Half a decade after their first release on Chandos, Brilliant Classics
has re-released Thomas Dausgaard and the Danish National Radio
Symphony's recording Berwald's four symphonies. The only thing that has
changed between the two releases is the price. The quality of the
pieces, the performances, and the sound remain as they were before. The
pieces, of course, are far and away the best symphonies written by a
Swede in the Romantic period. Highly imaginative, brilliantly scored,
robustly rhythmic, formally inventive, and thoroughly melodic, Berwald's
symphonies rank right below Mendelssohn and Schumann's symphonies in
the post-Beethoven/pre-Brahms repertoire. The performances, while very
good, are not quite great. A skillful conductor, Dausgaard clearly
understands the music and manifestly feels some affection for it, but
his performances are just a tad too heavy and a shade too dark for the
ebullient Berwald. Where the music should run, it jogs, and where it
should soar, it plods. The Danish musicians do an adequate job of
getting through the scores, but their playing lacks shine and sparkle.
Chandos' sound was a bit distant, but clear and colorful, and
Brilliant's sound is exactly identical. Of the digital recordings, Okko
Kamu's, Roy Goodman's, Sixten Ehrling's, and Herbert Blomstedt's are
better choices. James Leonard
FRANZ BERWALD (1796-1868)
Tracklist 1 :
1-4. Sinfonie Sérieuse (Symphony No. 1) In G Minor
5. Erinnerung An Die Norwegischen Alpen (Memory Of The Norwegian Alps)
6-8. Sinfonie Capricieuse (Symphony No. 2) In D Major
Tracklist 2 :
1-3. Sinfonie Singulière (Symphony No. 3) In C Major
4. Elfenspiel (Play Of The Elves) Tone Painting For Large Orchestra
5-8. Sinfonie Naïve (Symphony No. 4) In E Flat Major
Credits :
Conductor – Thomas Dausgaard
Orchestra – Danish National Radio Symphony Orchestra. 



