Here Hugh Wolff leads the Frankfurt Radio Symphony Orchestra in the
third volume of a series surveying the orchestral music of George
Antheil. It's hard to imagine how Wolff and his crew are going to be
able to top this one, as it brings together some of the cream of this
repertoire in flawless, sharply etched performances that are big-boned
and relentlessly exciting. Antheil's Symphony No. 3 "American" is a
great American symphony, easily qualified to take its place of honor
alongside the "Third" symphonies of his contemporaries Roy Harris and
Aaron Copland. By the end of the 1940s Antheil was the third most
frequently performed American composer in concert halls after Copland
and Samuel Barber, but this exalted reputation did not survive his early
death in 1959. In listening to the "American" Symphony one wonders why
not, as it has all of the necessary hallmarks; big city complexity, open
prairie landscapes, memorable tunes, and nervous, incessant rhythms
derived from jazz. Everyone who loves the "American vernacular" style of
the 1940s should hear this work. Antheil's Third was premiered under
conductor Hans Kindler in 1945, but this CPO disc represents its first
appearance on any kind of issued recording.
Likewise making their
bow are two equally solid and enjoyable "vernacular" works, Antheil's
delightful Tom Sawyer Overture and the rousing Hot-Time Dance. Both
McKonkey's Ferry Overture and Capital of the World have been recorded
several times, but they have never sounded better as they do here.
The
only complaint here is about the notes by Eckhardt van den Hoogen. They
are highly informative, but gossipy, and deal in great detail with
aspects of Antheil's life that are not relevant to the music at hand.
Perhaps van den Hoogen is afraid CPO will not be taking the series
beyond this volume, and is trying to get in all the material he can, but
most of it is more appropriate for a full-length biography of the
composer and not a set of liner notes. Nonetheless, everything else
about this CD is just simply great, and it should be your first choice
for the orchestral music of George Antheil. Uncle Dave Lewis
GEORGE ANTHEIL (1900-1959)
Symphony No 3 »American« (1936-39/rev. 1946) (25:02)
Tom Sawyer »California Overture« (1949) 5:25
Hot-Time Dance (1948) 4:24
McKonkey's Ferry Overture (1948) 9:03
Capital Of The World - Suite In Three Movements (1953) (17:08)
Credits :
Conductor – Hugh Wolff
Orchestra – Radio-Sinfonie-Orchester Frankfurt
opus ohm
quinta-feira, 19 de março de 2026
GEORGE ANTHEIL : Symphony No 3 »American« (Radio-Sinfonie-Orchester Frankfurt · Hugh Wolff) (2004) Two Version | APE + FLAC (image+.tracks+.cue), lossless
sexta-feira, 6 de março de 2026
GEORGE ANTHEIL : Symphony No. 3 'American' · Symphony No. 6 'After Delacroix' · Spectre Of The Rose Waltz · Archipelago · Hot-Time Dance (BBC Philharmonic · John Storgårds) (2019) Tree Version | WAV + FLAC (image+.tracks+.cue), lossless
The fortunes of American composer George Antheil declined after his
daring Ballet Mécanique, an accompaniment to a Dada film by Fernand
Léger. He wrote film music, which shows up as an influence in the music
on this release by the BBC Philharmonic and Finnish conductor John
Storgårds. And he flirted with jazz and with major classical styles of
the day, never quite finding a fully original voice again but always
maintaining an appealing level of ambition. Storgårds is the latest of a
diverse group of conductors (including Eugene Goossens) to champion
Antheil's orchestral music, and he's not as unlikely a champion as he
might seem. Finns have always been enthusiastic programmers of Russian
music, and Antheil's models here are Russian: Shostakovich, principally,
and to a lesser extent Prokofiev. This is true even in the case of the
Symphony No. 3, subtitled "American," whose sound collages suggest that
Antheil was familiar with the music of Ives by this time, but whose
finale is pure Prokofiev. The Symphony No. 6 ("Delacroix," referring to
programmatic inspiration by that painter's Liberty Leading the People)
brings several Shostakovich symphonies to mind, which is hardly
surprising: Shostakovich appeared on the cover of Time during the war
and was an extraordinarily popular figure in the U.S. Probably the
strongest pieces are the short ones. The opening Archipelago is in the
vein of Milhaud's Brazilian pieces but is lush, with harp glissandos and
a bit of everything else, where Milhaud is concise and brisk. The
little Hot-Time Dance (the reference is not to Hot Time in the Old Town
Tonight but to an old election-night custom) offers a Shostakovich-like
clarinet theme, but here Antheil is economical and treats the little
tune in a bewitching way. The BBC Philharmonic keeps up with detailed,
difficult parts and what was likely unfamiliar music. This album can be
recommended to anyone with an interest in American symphonic music. James Manheim
GEORGE ANTHEIL (1900-1959)
1. Archipelago (6:01)
2-5. Symphony No. 3 'American' (24:47)
6. Hot-Time Dance (American Dance Suite No. 1; Election Dance) (4:33)
7-9. Symphony No. 6 'After Delacroix' (26:12)
10. Spectre Of The Rose Waltz (4:53)
Credits :
Conductor – John Storgårds
Orchestra – BBC Philharmonic
GEORGE ANTHEIL (1900-1959)
1. Archipelago (6:01)
2-5. Symphony No. 3 'American' (24:47)
6. Hot-Time Dance (American Dance Suite No. 1; Election Dance) (4:33)
7-9. Symphony No. 6 'After Delacroix' (26:12)
10. Spectre Of The Rose Waltz (4:53)
Credits :
Conductor – John Storgårds
Orchestra – BBC Philharmonic
quinta-feira, 5 de março de 2026
GEORGE ANTHEIL : Symphonies 4 & 5 (Radio-Sinfonie-Orchester Frankfurt · Hugh Wolff) (2000) Two Version | APE (image+.tracks+.cue), lossless
"The symphony is probably the most complete musical depiction of an
American circus that has ever been written. There is everything in it:
the music of a military band, waltzes, sentimental ditties, a Red Army
song, eccentric dances - every kind of joke, acrobatic allusions and
glamorous monstrosities. It is brilliant, hard, noisy, pretentious,
effective and incredibly real. And all its melodies are memorable," said
Virgil Thompson after the premiere of George Antheil's Symphony No. 4,
subtitled "1942", in February 1944. While this review is certainly
enthusiastic, the work is far more impressive and serious than it would
have us believe. In reality, it is a symphony that could only have been
written in this way during the Second World War and which, in Antheil's
own words, expresses his feelings during this war. An equal sibling work
to Shostakovich's Seventh and Eighth Symphonies. Antheil's 5th Symphony
is the exact opposite, as its title "Joyous" suggests. Playful,
sarcastic, full of musical irony: an orchestral bravura stroke without
equal. Hugh Wolff delivers brilliant interpretations with his Frankfurt
Radio Symphony Orchestra. jpc.de
GEORGE ANTHEIL (1900-1959)
Symphony No 4 »1942« (1942-43) (33:26)
Symphony No 5 »Joyous« (1947-48) (22:10)
Conductor – Hugh Wolff
Orchestra – Radio-Sinfonie-Orchester Frankfurt
GEORGE ANTHEIL (1900-1959)
Symphony No 4 »1942« (1942-43) (33:26)
Symphony No 5 »Joyous« (1947-48) (22:10)
Conductor – Hugh Wolff
Orchestra – Radio-Sinfonie-Orchester Frankfurt
domingo, 1 de março de 2026
EINAR ENGLUND : Complete Music for Solo Piano (Laura Mikkola) (2017) Two Version | FLAC (image+.tracks+.cue), lossless
Einar Englund (1916–99) was not only one of Finland’s major symphonists; he was also one of his country’s most important pianists and was destined for a career as a virtuoso until, as a soldier, he damaged a finger in a battle against the invading Russians. He wrote surprisingly little for his own instrument, but the works he did produce glitter with a Prokofievan steely strength and textural clarity, animated with the ironic humour that was typical of the composer himself. toccataclassics
EINAR ENGLUND (1796-1868)
1-2. Prelude And Fughetta
3-6. Sonatina No. 2, The Parisian:
7-15. Pavane e Toccata:
16-18. Sonatina No. 1 in D minor:
19-23. Sinuhe
24-25. Introduzione E Toccata
26-28. Piano Sonata No. 1
29. The Lauttasaari Rotary Club Festive March
Laura Mikkola - Piano
EINAR ENGLUND (1796-1868)
1-2. Prelude And Fughetta
3-6. Sonatina No. 2, The Parisian:
7-15. Pavane e Toccata:
16-18. Sonatina No. 1 in D minor:
19-23. Sinuhe
24-25. Introduzione E Toccata
26-28. Piano Sonata No. 1
29. The Lauttasaari Rotary Club Festive March
Laura Mikkola - Piano
BERWALD : Piano Trios Nºs 1-3 (Ilona Prunyi · András Kiss · Csaba Onczay) (1993) Two Version | FLAC (image+tracks+.cue), lossless
For much of the nineteenth century in Sweden, music-making was confined
to small-scale chamber music at home and ambitious composers had to move
abroad to seek acceptance of their work. Whilst Berwald enjoyed some
success in continental Europe, only a handful of his orchestral works
were performed in Sweden during his lifetime. This caused him in later
years to concentrate on chamber music, completing two piano quintets,
three string quartets, four piano trios as well as duos for violin and
piano and cello and piano. Berwald received much encouragement from his
friend Liszt who praised Berwald’s invention, skill and elegant style
whilst adding, somewhat prophetically: ‘you truly possess originality
but you will not enjoy success during your lifetime. Nevertheless you
must persevere.’naxos
FRANZ BERWALD (1796-1868)
1-3. Piano Trio No. 1 In E Flat Major
4-6. Piano Trio No. 2 In F Minor
7-9. Piano Trio No. 3 In D Minor
Credits :
Cello – Csaba Onczay
Piano – Ilona Prunyi
Violin – András Kiss
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