In hard times, everyone is looking for the killer deal. In respect to
wind chamber music of the early romantic period, one could hardly do
better than with Brilliant Classics' Romantic Ensembles, a six-CD box
set that contains much of the major wind literature from the first half
of the nineteenth century. At the beginning of the nineteenth century, a
fad in Europe for harmoniemusik -- groups of wind bands that usually
played potpourris of operatic hits -- was current. Composers such as
Hummel, Kreutzer, Spohr, Schubert, Berwald, and Beethoven here seized
upon this format to express more complex and ambitious musical concepts.
Beethoven's Septet in E flat, Op. 20, though not as highly regarded
some of his symphonies in retrospect, played a major role in
establishing Beethoven's reputation as a composer. The Schubert Octet in
F, D. 803, and Berwald's Grand Septet in B flat were works that looked
to Beethoven's as a kind of model; others represented here to some
degree tap into the eighteenth century approach to harmoniemusik and
forges something new and original out of it. The early nineteenth
century was the most fruitful era of any concerning developments in the
wind chamber format; as such groups merged into larger units and became
more concerned with popular music, interest among composers in producing
works like these began to flag in the latter half of the century.
One
of the reasons this modest and innocuous-looking box is so desirable is
the performances included. These are not just any groups performing
these works, but top-flight ensembles -- The Berlin Philharmonic Octet,
the Wiener Kammerensemble, and Britain's the Nash Ensemble. The reason
that this can be marketed so cheaply is that all are older recordings,
but most are at least digital and the performances are all first-rate.
Brilliant Classics' Romantic Ensembles would make a lovely gift for a
wind player, or someone specifically interested in wind ensemble music,
and the modest asking price won't break the bank. Uncle Dave Lewis
CD1 :
SPOHR
Nonet in F major Op. 31
Octet in E major Op. 32
CD2 :
HUMMEL
Septet (The Military) in C major Op. 114
KREUTZER
Grand Septet in E flat major Op.62
CD3 :
HUMMEL
Septet in D minor Op. 74
BERWALD
Grans Septet in B flat major
CD4 :
SPOHR
Septet in F major Op. 147
Quintet inh C minor Op. 52
CD5 :
SCHUBERT
Octet in F major D8003, Op. 166
CD6 :
BEETHOVEN
Septet in E flat major Op. 20
Septet in E flat major Op. 81b
Credits :
CD1 - CD4
The Nash Ensemble
CD5
Berlin Philarmonic Octet
CD6
Wiener Kammerensemble .png)
Mostrando postagens com marcador The Nash Ensemble. Mostrar todas as postagens
Mostrando postagens com marcador The Nash Ensemble. Mostrar todas as postagens
segunda-feira, 16 de fevereiro de 2026
ROMANTIC ENSEMBLES — Septets, Octets & Nonets of : SPOHR · HUMMEL · BERWALD · KREUTZER · BEETHOVEN & SCHUBERT (2006) 6CD BOX-SET | Two Version | FLAC (image+.tracks+.cue), lossless
segunda-feira, 2 de setembro de 2024
domingo, 26 de julho de 2020
DOHNÁNYI : String Quartet No. 3; Serenade for String Trio; Sextet for Piano, Clarinet, Horn & String Trio (The Nash Ensemble) (2018) FLAC (image+.cue), lossless

The music of Hungarian composer Ernst von Dohnányi took a dive in concert program frequency after his death in the U.S. in 1960, when the fashion was for Bartók or still more progressive composers. It has been making a comeback, however, and this satisfying release by Britain's venerable Nash Ensemble, largely specialists in contemporary music, should only help it along. Dohnányi was classified as a conservative, and indeed there is a strong Brahmsian streak in his music. Yet the more you listen to it, the more prominent the Hungarian streak seems, and it is no surprise to learn that both Bartók and Kodály attested to the importance of Dohnányi's influence. By 1926, when Dohnányi wrote the String Quartet No. 3 in A minor, the influence was going the other way; Bartók especially can be heard in the angular opening Allegro agitato e appassionato movement. But the framing of the two less intense works around the string quartet is effective. Sample the finale of the Sextet for piano, clarinet, horn, and string trio in C major, Op. 37, of 1935: it is in the Brahmsian line, doubtless, but its combination of textural complexity and rhythmic drive are all Dohnányi's own. What's needed in this music is an experienced chamber group that brings clarity, and that's exactly what it gets from the Nash Ensemble. Recommended. by James Manheim

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