Mostrando postagens com marcador Neeme Järvi. Mostrar todas as postagens
Mostrando postagens com marcador Neeme Järvi. Mostrar todas as postagens

sábado, 7 de fevereiro de 2026

FRANZ BERWALD : 4 Symphonies (Gothenburg SO · Neeme Järvi) 2CD | Three Version | APE + FLAC (image+.tracks+.cue), lossless

FRANZ BERWALD (1796-1868)
Tracklist 1 :
1-3.    Sinfonie Singulière (No 3) In C Major
4-6.    Sinfonie Capricieuse (No 2) In D Major
Tracklist 2 :
1-4.    Sinfonie "No 4" In E Flat Major
5-8.    Sinfonie Sérieuse (No 1)
Credits : 
Conductor – Neeme Järvi
Orchestra – Gothenburg Symphony Orchestra
 

sábado, 9 de março de 2024

domingo, 19 de novembro de 2023

WEBER : Complete Works for Clarinet (Janet Hilton) 2CD | FLAC (tracks), lossless

A number of recordings of Weber's virtuoso clarinet music have come on the market since these 1980s Chandos recordings were released, but they have held their own well enough to merit reissue on the label's two-for-one budget line. They are, perhaps, quintessentially English despite the Finnish origin of the conductor in the orchestral works: straightforward, technically assured, warm in the orchestral sound (recorded mostly at Birmingham's Town Hall), and never drawing attention to itself or letting anyone see or hear anyone sweat. Weber's two big concertos, heard on disc 1, are masterful in the way they integrate extreme virtuosity into Beethovenian sonata-form models, with flashy cadenzas, for example, serving the structural function of transition between thematic groups. Clarinetist Janet Hilton proceeds smoothly through the most extraordinary feats of technical agility and sheer endurance, treating Weber's structures matter-of-factly where some performers (sample the recording on BIS by Sweden's Martin Fröst and the Tapiola Sinfonietta under Jean-Jacques Kantorow) generate a good deal more dramatic tension. Her slow movements, where Weber writes long Beethovenian lines rather than heavily ornamented instrumental arias, are impressively controlled even if the Birmingham ensemble is not always as silken as one would wish. The shorter, less structurally ambitious works on disc 2 are delightful; Hilton's essential restraint doesn't get in the way of their dancelike spirit. The remastering of the 1980s sound, as usual with Chandos, has been nicely done, and there is a strong sense of physical presence to these fine recordings, which represent a safe if not bold choice. James Manheim   Tracklist + Credits :

quarta-feira, 22 de julho de 2020

GRIEG - Complete Music with Orchestra (Neeme Järvi) 6xCD SET (1993) FLAC (tracks+.cue), lossless


Tracklist:
Concerto For Piano And Orchestra In A Minor, Op. 16 29:50
1-1 1. Allegro Molto Moderato 13:04
1-2 2. Adagio - Attacca: 6:18
1-3 3. Allegro Moderato Molto E Marcato - Quasi Presto - Andante Maestoso 10:28
1-4 In Autumn Op. 11 Concert Overture For Large Orchestra 11:15
Symphonic Dances Op. 64 On Norwegian Motifs 31:07
1-5 1. Allegro Moderato E Marcato 6:54
1-6 2. Allegretto Grazioso 6:02
1-7 3. Allegro Giocoso 6:04
1-8 4. Andante - Allegro Molto E Risoluto 12:07
From Holberg's Time Op. 40 Suite In The Olden Style For String Orchestra 19:16
2-1 1. Praeludium: Allegro Vivace 3:00
2-2 2. Sarabande: Andante 3:15
2-3 3. Gavotte: Allegretto - Musette: Un Poco Mosso - Gavotte 3:31
2-4 4. Air: Andante Religioso 5:21
2-5 5. Rigaudon: Allegro Con Brio 4:09
Two Elegiac Melodies Op. 34 8:11
2-6 1. The Wounded Heart: Allegretto Espressivo 3:23
2-7 2. Last Spring: Andante 4:48
Two Melodies Op. 53 9:22
2-8 1. Norwegian: Allegro Risoluto - Poco Tranquillo 4:47
2-9 2. The First Meeting: Lento 4:35
Two Nordic Melodies Op. 63 13:09
2-10 1. In Folk Style: Andante 7:50
2-11 2. Cow-Call: Andantino 5:19
Two Lyric Pieces Op. 68 8:20
2-12 1. Evening In The Mountains: Andantino 4:37
Oboe – Mårten Larsson
2-13 2. At The Cradle: Allegretto Con Moto 3:43
Lyric Suite Op. 54 19:02
2-14 1. Shepherd Boy: Andantino Espressivo 4:14
2-15 2. Bell-Ringing: Andante 4:54
2-16 3. Norwegian March: Allegretto Marcato 2:15
2-17 4. Notturno: Andante 4:17
2-18 5. March Of The Trolls: Allegro Marcato 3:22
Peer Gynt Op. 23 Incidental Music To The Play By Henrik Ibsen 85:06
3-1 No. 1 I Bryllupsgården 5:02
Viola – Paul Cortese
3-2 No. 2 Halling 1:25
Hardingfele – Knut Buen
3-3 No. 3 Springar 2:07
Hardingfele – Knut Buen
3-4 No. 4 Bruderovet. Ingrids Klage 3:48
3-5 No. 5 Peer Gynt Og Sæterjentene 4:04
3-6 No. 6 Peer Gynt Og Den Grønnkledde 1:56
3-7 No. 7 Peer Gynt: »På Ridestellet Skal Storfolk Kjendes« 0:21
3-8 No. 8 I Dovregubbens Hall 2:51
3-9 No. 9 Dans Av Dovregubbens Datter 1:47
3-10 No. 10 Peer Gynt Jages Av Troll 3:14
3-11 No. 11 Peer Gynt Og Bøygen 4:45
3-12 No. 12 Åses Død (Prelude To Act III) 3:52
3-13 No. 12 Åses Død (Act III Scene 4) 3:27
3-14 No. 13 Morgenstemning 4:14
3-15 No. 14 Tyven Og Heleren 1:20
3-16 No. 15 Arabisk Dans 4:53
3-17 No. 16 Anitras Dans 3:41
3-18 No. 17 Peer Gynts Serenade 3:09
3-19 No. 18 Peer Gynt Og Anitra 4:27
3-20 No. 19 Solveigs Sang 4:58
3-21 No. 20 Peer Gynt Ved Memnonstøtten 2:11
3-22 No. 21 Peer Gynts Hjemfart. Stormfull Aften På Havet 2:19
3-23 No. 22 Skipsforliset 1:38
3-24 No. 23 Solveig Synger I Hytten 1:45
4-1 No. 24 Nattscene 6:59
4-2 No. 25 Pinsesalme: »Velsignede Morgen« 1:15
4-3 No. 26 Solveigs Vuggevise 5:38
Sigurd Jorsalfar Op. 22 Incidental Music To The Play By Bjørnstjerne Bjørnson 35:12
4-4 Hornsignaler 1:49
4-5 No. 1 Forspill Til Akt I 2:16
4-6 No. 2 Borghild's Drøm 3:17
4-7 No. 3 Ved Mannjevningen 3:39
4-8 No. 4 Norrønafolket 6:10
4-9 No. 5 Hyldningsmarsj 8:48
4-10 No. 6 Mellomspill I 1:40
4-11 No. 7 Mellomspill II 3:45
4-12 No. 8 Kongekvadet 3:48
4-13 Funeral Music In Memory Of Rikard Nordraak 6:41
Norwegian Dances Op. 35 17:10
4-14 1. Allegro Marcato 6:08
4-15 2. Allegretto Tranquillo E Grazioso 2:30
4-16 3. Allegro Moderato Alla Marcia 3:16
4-17 4. Allegro Molto 5:16
Symphony In C Minor 38:57
5-1 1. Allegro Molto 12:30
5-2 2. Adagio Espressivo 7:16
5-3 3. Intermezzo: Allegro Energico 4:32
5-4 4. Finale: Allegro Molto Vivace 7:49
5-5 Landkjenning Op. 31 6:50
Baritone Vocals – Håkan Hagegård
Chorus – Men's Voices Of The Gothenburg Symphony Chorus
Olav Trygvason Op. 50 Scenes From An Unfinished Drama By Bjørnstjerne Bjørnson 34:56
5-6 Scene I - No. 1 »Skjult I De Mange Manende Navne« / No. 2 »I, Som Op Af Urdarbrønden« 7:47
5-7 Scene II - No. 3 »Ej Er Det Nok« / No. 4 »Tak, At I Talte« 15:26
5-8 Scene III - No. 5 »Giv Alle Guder Gammens Og Glædes-Skål« / No. 6 »Alfer Og Vætter« / No. 7 »Evige Asatro« 11:43
Old Norwegian Melody With Variations Op. 51 21:19
6-1 Poco Tranquillo 0:40
6-2 Tema. Andantino Espressivo 0:47
6-3 Poco Allegro, Ma Tranquillo 0:31
6-4 Energico 0:29
6-5 Allegro Leggiero 0:32
6-6 Poco Andante 1:04
6-7 Maestoso 0:51
6-8 Allegro Scherzando E Leggiero 0:43
6-9 Andante 1:01
6-10 Andante Molto Tranquillo 1:39
6-11 Presto 0:36
6-12 Tempo Di Menuetto 1:41
6-13 Allegro Marcato 0:59
6-14 Tempo Di Valse 1:11
6-15 Adagio Molto Espressivo 2:38
6-16 Allegro Molto Marcato 1:38
6-17 Pomposo 1:20
6-18 Prestissimo 1:03
6-19 Andante Molto Tranquillo 1:56
Songs With Orchestra 18:52
6-20 Det Første Møde 3:20
Lyrics By – Bjørnstjerne Bjørnson
6-21 Fra Monte Pincio 4:43
Lyrics By – Bjørnstjerne Bjørnson
6-22 En Svane 2:10
Lyrics By – Henrik Ibsen
6-23 Våren 4:30
Lyrics By – Aasmund Olavsson Vinje
6-24 Henrik Wergeland 4:09
Lyrics By – John Paulsen
6-25 Den Bergtekne Op. 32 6:09
6-26 Foran Sydens Kloster Op. 20 9:00
Chorus – Women's Voices Of The Gothenburg Symphony Chorus
Lyrics By – Bjørnstjerne Bjørnson
6-27 Bergliot Op. 42 Melodrama For Orchestra 17:26
Lyrics By – Bjørnstjerne Bjørnson
Narrator – Rut Tellefsen
Credits:
Baritone Vocals – Carl Gustaf Holmgren (tracks: 3-1 to 4-3), Håkan Hagegård (tracks: 5-6 to 5-8, 6-21, 6-24, 6-25), Urban Malmberg (tracks: 3-1 to 4-3)
Choir – Pro Musica Chamber Choir (tracks: 3-1 to 4-12)
Chorus – Gothenburg Symphony Chorus (tracks: 5-6 to 5-8)
Chorus Master – Gösta Ohlin (tracks: 3-1 to 4-12), Mats Nilsson (tracks: 5-6 to 5-8, 6-26)
Composed By – Edvard Grieg
Conductor – Neeme Järvi
Contralto Vocals – Anne Gjevang (tracks: 5-6 to 5-8)
Ensemble – Gösta Ohlin's Vocal Ensemble (tracks: 3-1 to 4-12)
Horn – Malcolm Page (tracks: 4-4 to 4-12), Per Göran (tracks: 4-4 to 4-12), Sören Hermans (tracks: 4-4 to 4-12), Vivika Alm (tracks: 4-4 to 4-12)
Mezzo-soprano Vocals – Marianne Eklöf (tracks: 3-1 to 4-3), Randi Stene (tracks: 5-6 to 5-8, 6-26)
Orchestra – Gothenburg Symphony Orchestra
Piano – Lilya Zilberstein (tracks: 1-1 to 1-3)
Soprano Vocals – Barbara Bonney (tracks: 3-1 to 4-3, 6-20, 6-22, 6-23, 6-26), Charlotte Forsberg (tracks: 3-1 to 4-3), Maria Andersson (tracks: 3-1 to 4-3), Monica Einarson (tracks: 3-1 to 4-3)
Voice [Speakers] – Tor Stokke (tracks: 3-1 to 4-3), Toralv Maurstad (tracks: 3-1 to 4-3), Wenche Foss (tracks: 3-1 to 4-3)

segunda-feira, 11 de maio de 2020

ARVO PÄRT - Collage (1993) FLAC (tracks+.cue), lossless

For all of those who look for early works of Pärt this is a precious recording. I believe there are a lot of people who don't find much appeal in Pärt's late repetitive, mystic works for the very same reasons others prefer them. So what's up here is that Pärt has a few lesser known works before, say, his third symphony which are the "opposite" of the mentioned above. Those who are found of Schnittke will surely appreciate this. The most remarkable composition in this record is maybe the "Credo" for piano mixed choir and orchestra. It consists of 13 minutes of duel between the forces of the past (represented by Bach's well known motifs) and the eruptive resources of modernist aleatoric clusters of sound. So, pools of beautiful passages are interrupted by (or combined with) destructive (or desconstructive) interventions of the orchestra till the whole, peaking sometimes the frenetic, becomes yet a powerful block of distinctive sound.
In spite of this chaotic character the music is full of imaginative textures never becoming static and confusing. What's impressive is that this work is from 1968! The 2nd symphony, even earlier, although not so exuberant also offers similar processes, sometimes with strong percussion, and includes an unexpected romantic melodic passage by the end which, no matter how much ironic it may be intended, moves the listener by moments to another atmosphere. (The 1st symphony may be found on "Searching for roots" compilation by Virgin with works of Tüur and Tubin). "Collage sur B-A-C-H" is better known and so are the remaining works which are more recent. It must be said that the commented works here, exploring most of the times the technique of "appropriation", may belong to Pärt's youth searching period and maybe discussable as not as relevant as his mystic late works - but they are surely very refreshing for all who enjoy the fruitful style of 60's modernism and want to know the other face of Pärt. web
Tracklist:
1 - Collage Sur B-A-C-H - I. Tocatta. Preciso
2 - Collage Sur B-A-C-H - II. Sarabande. Lento
3 - Collage Sur B-A-C-H - III. Ricercar. Deciso
4 - Summa
5 - Wenn Bach Bienen Gezuchtet Hatte
6 - Fratres
7 - Symphony No. 2 - I
8 - Symphony No. 2 - II
9 - Symphony No. 2 - III
10 - Festina Lente
11 - Credo
Boris Berman, Piano
Philharmonia Orchestra and Chorus
Neeme Järvi
Chandos 9134 (1993)

sábado, 29 de setembro de 2018

WAGNER : Two Symphonies [Neeme Järvi]


For this 2012 SACD, Neeme Järvi and the Royal Scottish National Orchestra present mostly unfamiliar pieces by Richard Wagner that have languished in obscurity, usually for good reasons. While the Overture to Rienzi is a rousing, tuneful piece that still gets programmed regularly, none of the other selections will register with a general audience: this is terra incognita for most listeners. The Symphony in C major of 1831 is Wagner's youthful attempt to imitate Beethoven, though it lacks the master's skill with the orchestra or his imaginative developments of fertile ideas. Wagner plainly strove after his hero's dynamism and force, but the underdeveloped music is bombastic, hollow, and false. The two-movement Symphony in E major is a reconstruction from unpromising sketches that were abandoned in 1834, only to be completed and orchestrated decades later by Felix Mottl at Cosima Wagner's request. The occasional pieces, Huldigungsmarsch and Kaisermarsch, are from 1864 and 1871, respectively, and must be viewed as products of Wagner's maturity. Yet they have never been popular with modern audiences, perhaps because of their forced martial air and peculiar deficiency of memorable tunes. Yet even though these are lackluster efforts, they are still important to document, and because Järvi and this orchestra have been invested in presenting Wagner's orchestral music in several previous releases, it makes sense to include them in their super audio recordings for Chandos. Because the performances are enjoyable and the state-of-the-art sound is extraordinary, the album deserves a better than average rating, even though the music itself is of limited interest to Wagner specialists.  by Blair Sanderson 
Tracklist
Symphony in C major, WWV 29
1 1. Sostenuto e maestoso - Allegro con brio  12:34
Richard Wagner
2 2. Andante ma non troppo, un poco maestoso  9:41
Richard Wagner
3 3. Allegro assai - Un poco meno allegro - Tempo 1 - Meno allegro - Presto  5:38
Richard Wagner
4 4. Allegro molto e vivace - Più allegro  6:20
Richard Wagner
Symphony in E major, WWV 35
5 1. Allegro con spirito  13:28
Richard Wagner
6 2. Adagio cantabile  5:46
Richard Wagner
7 Huldigungsmarsch in E flat major, WWV 97  5:23
Richard Wagner
Rienzi, der Letzte der Tribunen, WWV 49
8 Overture  11:24
Richard Wagner
9 Kaisermarsch in B flat major, WWV 104  8:54
Richard Wagner
WAGNER [1869-1930] : Two Symphonies
Neeme Järvi / Royal Scottish National Orchestra 
2012 / CHANDOS [24bit-96khz] FLAC / scans