Joachim Raff (1822-1882)
1-6. Suite No. 1 In G Major For Solo Cello, BWV 1007
Arranged By – Joachim Raff
Composed By – Johann Sebastian Bach
7-11. Suite No. 2 In C Major For Piano, Op. 71
12-15. Suite No. 5 In G Minor For Piano, Op. 162
Piano – Alexander Zolotarev
opus ohm
quinta-feira, 31 de julho de 2025
JOACHIM RAFF : Complete Suites for Solo Piano · Volume I (Alexander Zolotarev) (2004) Two Version | FLAC (image+.tracks+.cue), lossless
quarta-feira, 30 de julho de 2025
JOACHIM RAFF : Complete Suites for Solo Piano · Volume II (Alexander Zolotarev) (2004) Two Version | FLAC (image+.tracks+.cue), lossless
JOACHIM RAFF : Complete Suites for Solo Piano · Volume III (Alexander Zolotarev) (2004) Two Version | FLAC (image+.tracks+.cue), lossless
JOACHIM RAFF : Complete Suites for Solo Piano · Volume IV (Alexander Zolotarev) (2004) Two Version | FLAC (image+.tracks+.cue), lossless
Joachim Raff (1822-1882)
1-6. Suite No. 3 In C Major For Solo Cello, BWV 1009
Arranged By – Joachim Raff
Composed By – Johann Sebastian Bach
7-12. Suite No. 6 In D Major For Solo Cello, BWV 1012
Arranged By – Joachim Raff
Composed By – Johann Sebastian Bach
13-16. Suite No. 4 In D Minor For Piano, Op. 91
Piano – Alexander Zolotarev
GEORG BÖHM : Complete Harpsichord and Organ Music (Simone Stella) 4CD BOX-SET (2013) Two Version | FLAC (image+.tracks+.cue), lossless
Spanning 4 CDs and presenting over three hours of absorbing listening,
this charming release explores the musical output of Georg Böhm – one of
the most important German organists and composers around the turn of
the 18th century, and who is considered to have had a major influence on
the training of Johann Sebastian Bach.
The compilation focuses on the main nucleus of Böhm’s output, his works for keyboard, and divides equally into those for harpsichord and/or organ. Of chief interest among the pieces for the former instrument are the 11 Suites, works that were probably written for domestic performance, and these are joined by a range of other genres also common to the period. From the French Overture style of the Prelude in F to the art of variation that is the Chaconne in G, Böhm’s compositions abound in inventive detail, and we soon move onto the works for organ – where the composer’s most important contribution to North German keyboard music, that of the chorale partita, comes to the fore.
Performing all these works is Simone Stella, one of today’s most celebrated early music specialists and whose discography already includes two recordings for Brilliant Classics (Buxtehude’s Complete Organ Music 94422; Buxtehude’s Complete Harpsichord Music 94312). The release offers a fascinating insight into what is perhaps a lesser-known facet of the Baroque repertoire, and is certain to delight keyboard music aficionados. brilliantclassics.com Tracklist & Credits :
The compilation focuses on the main nucleus of Böhm’s output, his works for keyboard, and divides equally into those for harpsichord and/or organ. Of chief interest among the pieces for the former instrument are the 11 Suites, works that were probably written for domestic performance, and these are joined by a range of other genres also common to the period. From the French Overture style of the Prelude in F to the art of variation that is the Chaconne in G, Böhm’s compositions abound in inventive detail, and we soon move onto the works for organ – where the composer’s most important contribution to North German keyboard music, that of the chorale partita, comes to the fore.
Performing all these works is Simone Stella, one of today’s most celebrated early music specialists and whose discography already includes two recordings for Brilliant Classics (Buxtehude’s Complete Organ Music 94422; Buxtehude’s Complete Harpsichord Music 94312). The release offers a fascinating insight into what is perhaps a lesser-known facet of the Baroque repertoire, and is certain to delight keyboard music aficionados. brilliantclassics.com Tracklist & Credits :

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