Wilen remains steadfastly among my favourite tenor players. Lyrical, musical, romantic, swinging, entirely unlike the hard biting aggression of New York, or the huge breathy tone of the tenor founding fathers. He remains a distinctive voice that over decades continues to delight. I can put on “Jazz sur Scene” and I cross The Channel to the Left Bank and fifty years in just the first few notes, and he has never lost that voice, because it is authentically his own..
His first major appearance in the late Fifties, not even out of his teens, were the European tours of Art Blakey and Miles Davis. This record reprises many songs of that era, with compositions of Monk, Duke Jordan and Bennie Golson mixed with his own. For twenty years Wilen took his saxophone into rock and world music. We find him here back in his roots in long-term collaboration with Alain Jean-Marie, both delicate and swinging in the manner of McCoy Tyner, and Philippe Petit, shades of Jim Hall and Kenny Burrell. He doesn’t grandstand, but gives space to other members of the ensemble as equals. Liberté – Egalité – Fraternité. by LondonJazzCollector
Tracklist
1 Besame Mucho 4:29
2 No Problem 4:50
3 Pauline 1:40
4 Round About Midnight 4:17
5 Les Jours Heureux 1:20
6 Mr Martin 2:54
7 Un Baiser Rouge 0:55
8 Portrait de L'artiste Avec Saxophone 3:01
9 Whisper Not 3:40
10 Triste Again 2:22
11 Harlem Nocturne 4:09
12 Besame Mucho 1:56
13 Goodbye 6:35
14 All Blues 5:00
15 No Problem 5:06
16 Round About Midnight 4:31
Credits
Bass – Riccardo Del Fra
Drums – Sangoma Everett
Guitar – Philippe Petit
Piano – Alain Jean-Marie
Tenor Saxophone, Soprano Saxophone – Barney Wilen
https://nitroflare.com/view/0A0C6B1830D7EF9/Barney_Wilen_-_La_Note_Bleue__1987%2C_FLAC_.rar
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