FRANK ZAPPA - Hot Rats (1969-1995) RM / FLAC (tracks+.cue), lossless

Aside from the experimental side project Lumpy Gravy, Hot Rats was the first album Frank Zappa recorded as a solo artist sans the Mothers, though he continued to employ previous musical collaborators, most notably multi-instrumentalist Ian Underwood. Other than another side project -- the doo wop tribute Cruising With Ruben and the Jets -- Hot Rats was also the first time Zappa focused his efforts in one general area, namely jazz-rock. The result is a classic of the genre. Hot Rats' genius lies in the way it fuses the compositional sophistication of jazz with rock's down-and-dirty attitude -- there's a real looseness and grit to the three lengthy jams, and a surprising, wry elegance to the three shorter, tightly arranged numbers (particularly the sumptuous "Peaches en Regalia"). Perhaps the biggest revelation isn't the straightforward presentation, or the intricately shifting instrumental voices in Zappa's arrangements -- it's his own virtuosity on the electric guitar, recorded during extended improvisational workouts for the first time here. His wonderfully scuzzy, distorted tone is an especially good fit on "Willie the Pimp," with its greasy blues riffs and guest vocalist Captain Beefheart's Howlin' Wolf theatrics. Elsewhere, his skill as a melodist was in full flower, whether dominating an entire piece or providing a memorable theme as a jumping-off point. In addition to Underwood, the backing band featured contributions from Jean-Luc Ponty, Lowell George, and Don "Sugarcane" Harris, among others; still, Zappa is unquestionably the star of the show. Hot Rats still sizzles; few albums originating on the rock side of jazz-rock fusion flowed so freely between both sides of the equation, or achieved such unwavering excitement and energy. by Steve Huey  
This is probably the first FZ album that Most-Folks-Who-Don't-Even-Like-Frank Zappa ever bought, and the one that began to establish him as a virtuoso musician and composer. Mostly instrumental with Captain Beefheart providing off-color commentary on Willie The Pimp's "twenny dollah bill."
After dropping a few hints on UNCLE MEAT, this was where FZ began to pursue jazz/rock composition in earnest; and "Peaches En Regalia" remains a strong contender for the catchiest tune in his whole catalogue. Backed by the impressive likes of Sugarcane Harris and Jean-Luc Ponty, he delivers the first full-scale demonstrations of his guitar prowess. Of special interest: "The Gumbo Variations" originally had to be edited to fit on a vinyl record; and is now restored to its 17-minute entirety.
" 'Jazz isn't dead,' Zappa's famous aphorism goes, 'it just smells funny.' Indeed Hot Rats (some think of as a missing link between Miles and Steely Dan) waxes as deliciously pungent as a rare Stilton even during the immaculate strains of 'Peaches En Regalia' and 'Little Umbrellas.' Perhaps it's the Brian Wilson-on-acid orchestrations, or the precision with which the band negotiates FZ's square-peg-in-a-round-hole rhythms." – Ted Greenwald
Tracklist:
1     Peaches En Regalia 3:37
Bass – Shuggy Otis
Drums – Ron Selico
2     Willie The Pimp 9:16
Bass – Max Bennett
Drums – John Guerin
Violin – Sugar Cane Harris
Vocals – Captain Beefheart
3     Son Of Mr. Green Genes 8:58
Bass – Max Bennett
Drums – Paul Humphrey
4     Little Umbrellas 3:04
Bass – Max Bennett
Drums – John Guerin
5     The Gumbo Variations  16:55
Bass – Max Bennett
Drums – Paul Humphrey
Violin – Sugar Cane Harris
6     It Must Be A Camel 5:15
Bass – Max Bennett
Drums – John Guerin
Violin – Jean Luc Ponty
Credits:
Guitar, Bass [Octave], Percussion, Composed By, Arranged By, Producer [This Movie For Your Ears Was Produced And Directed By] – Frank Zappa
Piano, Flute, Clarinet [All], Saxophone [All], Performer [Organus Maximus] – Ian Underwood