On Future Days, Can fully explored the ambient direction they had
introduced into their sound on the previous year's Ege Bamyasi, and in
the process created a landmark in European electronic music. Where Ege
Bamyasi had played fast and loose with elements of rock song structure,
Future Days dispensed with these elements altogether, creating hazy,
expansive soundscapes dominated by percolating rhythms and evocative
layers of keys. Vocalist Damo Suzuki turns in his final and most
inspired performance with the band. His singing, which takes the form
here of a rhythmic, nonsensical murmur, is all minimal texture and
shading. Apart from the delightfully concise single "Moonshake," the
album is comprised of just three long atmospheric pieces of music. The
title track eases us into the sonic wash, while "Spray" is built around
Suzuki's eerie vocals, which weave in and out of the shimmering
instrumental tracks. The closing "Bel Air" is a gloriously expansive
piece of music that progresses almost imperceptibly, ending abruptly
after exactly 20 minutes. Aptly titled, Future Days is fiercely
progressive, calming, complex, intense, and beautiful all at once. It is
one of Can's most fully realized and lasting achievements. by Anthony Tognazzini
Tracklist :
1 Future Days 9:32
2 Spray 8:29
3 Moonshake 3:04
4 Bel Air 19:53
Credits :
Bass, Engineer, Edited By – Holger Czukay
Drums – Jaki Liebezeit
Guitar – Michael Karoli
Keyboards – Irmin Schmidt
Recorded By [Recording] – Chris Sladdin, Holger Czukay, Volker Liedtke
Vocals – Damo Suzuki
Written-By, Producer – Can
segunda-feira, 8 de novembro de 2021
CAN - Future Days (1974-2008) RM / FLAC (image+.cue), lossless
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