Though Monster Movie was the first full-length album in what would
become a sprawling and often genre-defining discography, Can were on a
level well ahead of the curve even in their most formative days.
Recorded and released in 1969, Monster Movie bears many of the
trademarks that Can would explore as they went on, as well as elements
that would set the scene for the burgeoning Krautrock movement. This
would be the only album Can's first singer Malcolm Mooney would sing the
entirety of, as he was replaced by Damo Suzuki by the time of 1970's
Soundtracks, leaving the band after going through a highly unstable
time. Mooney was known for his erratic ways, and some of that mania
undoubtedly comes through here, with his caterwauling howls on the
unexpectedly garage-influenced "Outside My Door" as well as the
sung-spoken pseudo-poetry rants of album opener "Father Cannot Yell."
Riding a particularly Velvet Underground vibe, "Father Cannot Yell"
sounds like post-punk before punk even existed. Irmin Schmidt's brittle
keyboard squalls and dissonant rhythms and Mooney's buried recitations
predated the Fall, Swell Maps, the noise scene, and generations of
difficult sound by years and in some cases decades. Holger Czukay's
pensive basslines are also an already distinctive calling card of the
band on this debut, providing a steadfast glue for the barrages of noisy
tones, edits, and pulses the record offers from all angles. The
20-minute album closer "Yoo Doo Right" is an enormous highlight,
cementing the locked-in hypnotic exploration Can would extrapolate on
for the rest of their time and come to be known for. Mooney's raspy
vocals range from whispery incantations to throaty rock & roll
shouts, building with the band into an almost mantra-level meditation as
the song repeats its patterns and multi-layered grooves into what feels
like infinity. Legend has it that the final side-long version of the
song was edited down from a six-hour recording session focusing on that
tune alone. Given the level of commitment to experimentation Can would
go on to show, it's not hard to believe they'd play one song for six
hours to find its core, nor is it unfathomable that Monster Movie was
the more accessible album they recorded after their first attempts were
deemed too out there to be commercially released. Even in their earliest
phases, Can were making their name by blowing away all expectations and
notions that rock & roll had limits of any kind. by Fred Thomas
Tracklist :
1 Father Cannot Yell 7:01
2 Mary, Mary So Contrary 6:16
3 Outside My Door 7:22
4 Yoo Doo Right 20:01
Credits :
Bass, Engineer, Edited By – Holger Czukay
Drums – Jaki Liebezeit
Guitar – Michael Karoli
Keyboards – Irmin Schmidt
Vocals – Malcolm Mooney
Written-By, Producer – Can
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