The commercial success of Hyperion's Romantic Piano Concerto series, 
here reaching its 77th volume, attests to the hunger of audiences for 
new repertory, and for an understanding of the context in which the 
great composers of the era worked. The two piano concertos here, by 
German composers Hans Bronsart von Schellendorf and Anton Urspruch, are 
all but unknown even to specialists. Yet both are enjoyable and cast 
light on how the music of Brahms, the model for both works, was 
received. Schellendorf was a student of Liszt but turned toward the 
Brahmsian three-movement Classical concerto pattern. There are all kinds
 of Brahms influences here; you can sample the second theme of the 
second movement, Adagio ma non troppo (three-plus minutes in), for an 
unusually well-executed iteration of the noble theme. But the footprint 
of Schellendorf's teacher is also present in the degree to which the 
music is pushed in the direction of virtuosity, with a corresponding 
simplification of the motivic structure. The concerto by Urspruch, a not
 uninteresting figure who may have been instrumental (?) in bringing 
Gregorian chant to prominence, is a more heroic, Beethovenian mold, 
although its lengthy finale lacks cohesiveness. Both works challenge the
 pianist, and it's entirely likely that the confident performances by 
Franco-British pianist Emmanuel Despax will not be the last ones. The 
music was idiomatically recorded in the Glasgow City Halls. James Manheim  
Tracklist :
Piano Concerto In F Sharp Minor Op. 10 (1873) 30:21
Composed By – Hans Bronsart Von Schellendorf
Piano Concerto In E Flat Major Op. 9 (1882) 45:01
Composed By – Anton Urspruch
Credits :
Piano – Emmanuel Despax
BBC Scottish Symphony Orchestra
Conductor - Eugene Tzigane 
sábado, 6 de janeiro de 2024
BRONSART ♦ URSPRUCH : Piano Concertos (Emmanuel Despax · BBC Scottish Symphony Orchestra · Eugene Tzigane) (2018) Serie The Romantic Piano Concerto – 77 | FLAC (tracks+.cue), lossless
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