Music in Germany in the later 19th century found itself divided into two
camps; the modernists, led by Liszt and Wagner, and the traditionalists
who took Brahms as their model and who upheld the values of the
classical period and Beethoven in particular. Fuchs and Kiel are very
much in the later camp and both spent their lives in academic posts, as
so often befits such establishment figures. They each wrote only one
piano concerto and, as one might expect, these are not vehicles for
empty virtuoso display but rather 'symphonic' concertos, both written in
the traditional three movements, the first of which is a weighty sonata
form allegro. The influence of Beethoven can be heard in each and the
later Fuchs piece also shows a debt to Brahms. Interestingly Kiel taught
Stanford while he studied in Germany and indeed these composers are
very much the German equivalent of Stanford or Parry.
Martin
Roscoe, who did such a fine job with the similar Brüll concertos
(CDA67069), is our soloist and Martyn Brabbins and the BBCSSO give their
usual inspired accompaniment.
Both works are premiere recordings. Hyperion
Robert Fuchs (1847-1927)
Piano Concerto in B flat minor Op 27 [36'19]
Friedrich Kiel (1821-1885)
Piano Concerto in B flat major Op 30 [27'12]
Credits :
Conductor – Martyn Brabbins
Orchestra – BBC Scottish Symphony Orchestra
Piano – Martin Roscoe
Violin [Orchestra Leader] – Elizabeth Layton
quinta-feira, 22 de fevereiro de 2024
FUCHS : Piano Concerto In B Flat, Op 27 ♦ KIEL : Piano Concerto In B Flat, Op 30 (Martin Roscoe · BBC Scottish Symphony Orchestra · Martyn Brabbins) (2001) Serie The Romantic Piano Concerto – 31 | FLAC (image+.cue), lossless
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