This release is part of a large series devoted to forgotten concertos of
the Romantic era by British pianist Howard Shelley and the unheralded
but very strong Tasmanian Symphony Orchestra. Friedrich Kalkbrenner was
the top dog among Parisian pianists until Chopin and Liszt came along.
He overestimated his own importance in relation to Chopin and
Mendelssohn, and as a result he has suffered from a case of bad press in
the history books. But Chopin, it should be remembered, continued to
admire him, and Shelley makes a good case for his revival here. The
chief attraction of the Piano Concerto No. 2, Op. 85 (1826), and Piano
Concerto No. 3, Op. 107 (1829), is that they effectively integrate deep
virtuosity into a passable early Beethoven concerto structure. They are
not like Chopin's concertos where the orchestra serves mostly to lay
down a few chords and turn the piano part loose. Perhaps the more
successful is the Piano Concerto No. 3, with its ambitious opening
movement that sets up the piano exposition with a nifty solo cello
melody; distinctly less so is the Adagio and Allegro di bravura, Op.
102, the very essence of empty display. One feels that Shelley, with his
seemingly effortless facility, is just the right pianist for this
music, which will certainly interest anyone wondering what kind of music
Chopin heard when he arrived in Paris. James Manheim
Friedrich Kalkbrenner (1785-1849)
Piano Concerto No 1 In D Minor (30:39)
Piano Concerto No 4 In A Flat Major Op 127 (28:17)
Credits :
Orchestra – Tasmanian Symphony Orchestra
Piano, Conductor – Howard Shelley
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