It is all-but forgotten that before the arrival of those composers whom
we now think of as quintessentially American (from Ives onwards) there
was thriving group composing in the USA who had studied in Europe and
transferred its traditions to their homeland. It is to this school that
Huss and Schelling belong.
The Huss Concerto is written on the
grandest scale and makes great virtuoso demands on the performer (think
of it as an American 'Brahms' concerto). Its lack of success is perhaps
partly due to the mediocre pianistic talents of the composer; though he
did play the work these performances were apparently sad occasions!
As
befits its title, the Schelling 'Suite' is most more light-weight
(think of Moszkowski or Paderewski, the latter a great friend of
Schelling). It was written to charm and entertain. The Finale is
particularly memorable, being a pot-pourri of American themes—Dixie, Way
down upon the Swanee River, and Yankee Doodle. Hyperion
Henry Holden Huss (1862-1953)
Concerto for piano and orchestra in B major Op 10 [30'49]
Ernest Schelling (1876-1939)
Suite Fantastique for piano and orchestra Op 7 [29'09]
Credits :
Conductor – Martyn Brabbins
Leader – Geoffrey Trabichoff
Orchestra – BBC Scottish Symphony Orchestra
Piano – Ian Hobson
sábado, 2 de março de 2024
HUSS : Piano Concerto In B Major, Op 10 (First Recording) ♦ SCHELLING : Suite Fantastique, Op 7 (First Recording) (Ian Hobson · BBC Scottish Symphony Orchestra · Martyn Brabbins) (1997) Serie The Romantic Piano Concerto – 16 | FLAC (image+.cue), lossless
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