The Scherzo from Litolff's Fourth Concerto has long been a Classical lollipop; now find out what the rest sounds like …
Litolff
was one of the great virtuosi of the nineteenth century. His five
Concertos Symphoniques (the first of which is now unfortunately lost)
were of major influence in the transition from the Classically-derived
concertos of Hummel, Moscheles and Chopin to the more symphonic
late-Romantic concertos. He pioneered the use of a four-movement
structure which included a Scherzo (as in Brahms's Second Concerto) and
gave the orchestra much more of the thematic material. Indeed, although
the piano writing is very brilliant, much of it is accompanimental. The
Second Concerto is a real rarity, the orchestral parts proving very hard
to locate. This is probably its first performance in over 130 years. Hyperion
Henry Charles Litolff (1818-1891)
Concerto symphonique No 2 in B minor Op 22 [32'03]
Concerto symphonique No 4 in D minor Op 102 [37'42]
Credits :
Conductor – Andrew Litton
Orchestra – Bournemouth Symphony Orchestra
Piano – Peter Donohoe
sábado, 2 de março de 2024
LITOLFF : Concerto Symphonique No 2 In B Minor (First Recording) • Concerto Symphonique No 4 In D Minor (Andrew Litton · Bournemouth Symphony Orchestra · Peter Donohoe) (1997) Serie The Romantic Piano Concerto – 14 | FLAC (image+.cue), lossless
Assinar:
Postar comentários (Atom)
https://nitroflare.com/view/EA62017EABA87E7/The_Romantic_Piano_Concerto_–_14_♦_Litolff_I_(1997
ResponderExcluir_Hyperion_–_CDA66889)_FLAC.rar
https://tbit.to/dlavv7ra0jun/The Romantic Piano Concerto – 14 ♦ Litolff I (1997, Hyperion – CDA66889) FLAC.rar.html