Mostrando postagens com marcador Art Pepper. Mostrar todas as postagens
Mostrando postagens com marcador Art Pepper. Mostrar todas as postagens

sexta-feira, 28 de agosto de 2020

ART PEPPER QUINTET- Smack Up (1960-2001) RM / Heritage Of Jazz By Digital K2 Contemporary 40 / FLAC (tracks+.cue), lossless


The title of this recording, Smack Up is ironic and inadvertently truthful. Within a short period, Art Pepper would begin spending many years in jail due to his heroin addiction; this was his next-to-last album from that period. Despite the bleak future, the great altoist (who never seemed to make an uninspired record during his unstable life) is in excellent form in a quintet with trumpeter Jack Sheldon, pianist Pete Jolly, bassist Jimmy Bond, and drummer Frank Butler. Highlights of this fine album include Harold Land's title cut, the five/four blues "Las Cuevas de Mario," and Ornette Coleman's "Tears Inside." [Some reissues add two takes of the otherwise unknown "Solid Citizens."] by Scott Yanow
Tracklist:
1 Smack Up 4:18
Harold Land
2 Las Cuevas de Mario 7:11
Art Pepper
3 A Bit of Basie 7:26
Buddy Collette
4 How Can You Lose 6:57
Benny Carter
5 Maybe Next Year 4:24
Duane Tatro
6 Tears Inside 7:47
Ornette Coleman
7 Solid Citizens 6:32
Jack Montrose
8 Solid Citizens 6:29
Jack Montrose
Credits:
Alto Saxophone – Art Pepper
Bass – Jimmy Bond
Drums – Frank Butler
Piano – Pete Jolly
Trumpet – Jack Sheldon

ART PEPPER - Art Pepper Meets The Rhythm Section (1957-2010) RM / FLAC (tracks+.cue), lossless


By the time of this, Art Pepper's tenth recording as a leader, he was making his individual voice on the alto saxophone leave the cozy confines of his heroes Charlie Parker and Lee Konitz. Joining the Miles Davis rhythm section of pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones made the transformation all that more illuminating. It's a classic east meets west, cool plus hot but never lukewarm combination that provides many bright moments for the quartet during this exceptional date from that great year in music, 1957. A bit of a flip, loosened but precise interpretation of the melody on "You'd Be So Nice to Come Home To" gets the ball rolling, followed by a "Bags Groove" parallel with "Red Pepper Blues," and a delicate, atypical treatment of "Imagination." A compositional collaboration of Pepper and Chambers on the quick "Waltz Me Blues" and hard-edged, running-as-fast-as-he-can take of "Straight Life" really sets the gears whirring. Philly Joe Jones is a great bop drummer, no doubt, one of the all-time greats with Kenny Clarke and Max Roach. His crisp Latin-to-swing pace for "Tin Tin Deo" deserves notice, masterful in its creation and seamlessness. Pepper makes a typical "Star Eyes" brighter, and he goes into a lower octave tone, more like a tenor, for "Birks Works" and the bonus track "The Man I Love." It's clear he has heard his share of Stan Getz in this era. Though Art Pepper played with many a potent trio, this one inspires him to the maximum, and certainly makes for one of his most substantive recordings after his initial incarcerations, and before his second major slip into the deep abyss of drug addiction. by Michael G. Nastos 
Tracklist:
1 You'd Be So Nice To Come Home To 5:30
Composed By – Cole Porter
2 Red Pepper Blues 3:39
Composed By – Red Garland
3 Imagination 5:56
Composed By – Jimmy Van Heusen, Johnny Burke
4 Waltz Me Blues 2:58
Composed By – Art Pepper, Paul Chambers 
5 Straight Life 4:02
Composed By – Art Pepper
6 Jazz Me Blues 4:50
Composed By – Tom Delaney
7 Tin Tin Deo 7:42
Composed By – Chano Pozo, Gil Fuller
8 Star Eyes 5:12
Composed By – Don Raye, Gene De Paul
9 Birks' Works 4:15
Composed By – Dizzy Gillespie
- Bonus Track -
10 The Man I Love 6:36
Composed By – George Gershwin, Ira Gershwin
Credits:
Alto Saxophone – Art Pepper
Bass – Paul Chambers
Drums – "Philly" Joe Jones
Piano – Red Garland
Producer – Lester Koenig