The massive survey of Romantic piano concertos carried out by British
pianist-conductor Howard Shelley -- 63 CDs and counting -- has certainly
had its ups and downs, but this entry is one of the stronger in the
series. French composer Benjamin Godard was prolific indeed over his 45
years, but remains known mostly for a single berceuse from the opera
Jocelyn, known in English as Angels Guard Thee. Shelley makes a strong
case for the recovery of the three piano-and-orchestra works included
here. Godard avoided the influence of Wagner, and there are certainly
many respects in which he took Brahms for a model. But he is most
interesting in the places where he departs from that model, such as in
the Scherzo and Andante of the Piano Concerto No. 1 in A minor, Op. 31
(1875), which develop the drama only suggested by the sonata-form first
movement, or the organically developing and initially quite ominous
opening movement of the Piano Concerto No. 2 in G minor, Op. 148 (1893).
The four-movement structure of each concerto is novel, and Shelley
handles the Tasmanian Symphony Orchestra well from the keyboard, an
impressive feat given the difficulty of the piano parts. The final
Introduction and Allegro, Op. 49, seems to suggest Beethovenian
seriousness in its Lento introduction (track 9) but turns into something
different, a joyous bravura romp. Recommended for anyone interested in
the virtuoso scene of the late 19th century. James Manheim
Tracklist :
Piano Concerto No 1 In A Minor Op 31 (29:53)
Composed By – Benjamin Godard
Piano Concerto No 2 In G Minor Op 148 (28:35)
Composed By – Benjamin Godard
Introduction And Allegro Op 49 (11:43)
Composed By – Benjamin Godard
Credits :
Leader – Jun Yi Ma
Orchestra – Tasmanian Symphony Orchestra
Piano, Conductor – Howard Shelley
quarta-feira, 17 de janeiro de 2024
GODARD : Piano Concerto No 1, Op 31 • Piano Concerto No 2, Op 148 • Introduction And Allegro, Op 49 (Howard Shelley · Tasmanian Symphony Orchestra ) (2014) Serie The Romantic Piano Concerto – 63 | FLAC (image+.cue), lossless
segunda-feira, 15 de janeiro de 2024
HERZ : Piano Concerto No 2, Op 74 • Grande Polonaise Brillante, Op 30 • Fantaisie Et Variations Sur La Marche D'Otello De Rossini, Op 67 • Grande Fantaisie Militaire Sur La Fille Du Régiment, Op 163 (Howard Shelley · Tasmanian Symphony Orchestra) (2015) Serie The Romantic Piano Concerto – 66 | FLAC (tracks), lossless
Austrian-French virtuoso Henri Herz has already appeared twice in the
Hyperion label's giant series devoted to the Romantic piano concerto,
and that's as it should be. Although Schumann disparaged Herz, he was a
famous figure at the time, touring the world and even writing a book
about his experiences in the U.S. (it's available in English for those
who want to hunt for it). His eight piano concertos seem to absorb the
structural tuition of Beethoven as they go along; the later ones are
quite concise and elegantly developed. This third album is a bit less
desirable, with the self-consciously Beethovenian Piano Concerto No. 2
in C minor, Op. 74, as the only piano concerto. There is nothing
objectionable about any of the music here, but the rest of the album
consists of opera paraphrase music that was primarily designed, in the
absence of recordings, to transmit catchy melodies to audiences in a
flashy package. As usual, pianist Howard Shelley, leading the Tasmanian
Symphony Orchestra, enters into the spirit of the music, and the
engineering in Hobart's Federation Concert Hall is very strong. James Manheim
Tracklist :
Piano Concerto No 2 In C Minor Op 74 (22:24)
Composed By – Henri Herz
Grande Fantaisie Militaire Sur La Fille Du Régiment Op 163 12:55
Composed By – Henri Herz
Fantaisie Et Variations Sur La Marche D'Otello De Rossini Op 67 15:45
Composed By – Henri Herz
Grande Polonaise Brillante Op 30 14:02
Composed By – Henri Herz
Credits :
Leader – Jun Yi Ma
Orchestra – Tasmanian Symphony Orchestra
Piano, Conductor – Howard Shelley

