Mostrando postagens com marcador Tom Harrell. Mostrar todas as postagens
Mostrando postagens com marcador Tom Harrell. Mostrar todas as postagens

segunda-feira, 14 de setembro de 2020

DIZZY GILLESPIE - Dizzy Gillespie Meets the Phil Woods Quintet (1986-2016) RM / Timeless Jazz Master Collection / FLAC (tracks+.cue), lossless

As the greatest musical heir on alto sax to Charlie Parker, it seemed only natural for Phil Woods to record a date with Dizzy Gillespie. This European studio session features Dizzy as a special guest sitting in with one of Woods' greatest quintets, with pianist Hal Galper and the brilliant trumpeter and flugelhornist Tom Harrell. In fact Dizzy's chops had already slipped somewhat during the decade and Harrell clearly outplays him even though he clearly isn't trying to embarrass the legendary trumpeter. Gillespie is at his best with a muted solo on "'Round Midnight," while Woods, Harrell and Galper are all outstanding throughout the entire CD. by Ken Dryden
Tracklist:
1 Oon-Ga-Wa 6:24
Dizzy Gillespie
2 Loose Change 8:09
Hal Galper
3 Whasidishean 6:01
Dizzy Gillespie
4 Round Midnight 12:46
Thelonious Monk
5 Love For Sale 8:48
Cole Porter
6 Terrestris 8:35
Tom Harrell
Credits:
Alto Saxophone – Phil Woods
Bass – Steve Gilmore
Drums – Bill Goodwin
Flugelhorn – Tom Harrell
Piano – Hal Galper
Trumpet – Dizzy Gillespie, Tom Harrell

JIM HALL TRIO ft. TOM HARRELL - These Roos (1988) FLAC (tracks+.cue), lossless


This 1988 studio date is one of the overlooked treasures in the considerable discography of Jim Hall, possibly due to the label's low-key promotion and less than eye-catching cover art. It is easy to understand why artists like Art Farmer and Paul Desmond omitted a pianist after hearing a release such as this one, because it would only clutter Hall's soft yet complete accompaniment. Joined by Tom Harrell (heard mostly on flügelhorn), bassist Steve LaSpina, and drummer Joey Baron, this CD is a delight from start to finish. The interaction of the musicians in the opener, a lively, waltzing "With a Song in My Heart," makes it sound like they have been a working unit for years. The well-conceived arrangement of "Where or When," which Hall dedicated to Basie guitarist Freddie Green (who died the year prior to the sessions), proves to be the most captivating track, with its understated yet consummately swinging air. Hall contributed the tense "Cross Court," a smoking post-bop vehicle, a pulsing calypso written originally for his 1985 Montreux concert with Michel Petrucciani and Wayne Shorter, as well as the haunting ballad "These Rooms," which opens with Harrell's melancholy unaccompanied trumpet solo, and has an abstract solo by the leader. "Something Tells Me" is a lovely bittersweet ballad by Jane Hall (Jim's wife, a talented composer whose work he has often recorded), featuring Hall and Harrell. Hall's unaccompanied take of Duke Ellington's "All Too Soon" makes one wonder why he has never recorded an entire album of guitar solos. This out of print CD is destined to become a collectible. by Ken Dryden 
Tracklist:
1 With a Song in My Heart 8:26
Lorenz Hart / Richard Rodgers
2 Cross Court 5:15
Jim Hall
3 Something Tells Me 5:13
Jane Hall
4 Bimini 9:20
Jim Hall
5 All Too Soon 4:02
Duke Ellington / Carl Sigman
6 These Rooms 11:28
Jim Hall
7 Darn That Dream 4:08
Eddie DeLange / James Van Heusen
8 My Funny Valentine 6:25
Lorenz Hart / Richard Rodgers 
9 Where or When 5:51
Lorenz Hart / Richard Rodgers
10 From Now On 7:08
Tom Harrell
Credits:
Bass – Steve LaSpina
Drums – Joey Baron
Flugelhorn – Tom Harrell (tracks: 1 to 5, 7 to 10)
Guitar – Jim Hall
Trumpet – Tom Harrell (tracks: 6)

quarta-feira, 9 de setembro de 2020

VINCE GUARALDI - Peanuts Portraits : The Classic Character Themes (2010) FLAC (tracks+.cue), lossless


To celebrate the 60th anniversary of the Peanuts comic strip, Concord assembled this compilation of Vince Guaraldi compositions that the pianist recorded for the soundtracks to various Peanuts television specials, some of which were previously issued on his Fantasy albums, plus a few alternate takes and songs that have never previously appeared on disc. A pair of songs recorded by George Winston for Windham Hill were also licensed for inclusion. Guaraldi, who earlier in his career had worked as a sideman with Cal Tjader, recorded a few albums of his own, and won a Grammy for his composition "Cast Your Fate to the Wind," earned lasting fame for his infectious piece "Linus and Lucy," a piece that became so famous for its opening vamp alone that it is instantly recognizable to any fan of the Peanuts cartoon specials. Some songs have aged better than others. The pieces utilizing electric keyboards sound dated, particularly "Peppermint Patty," "Charlie's Blues," and "Joe Cool," though trumpeter Tom Harrell is part of the band on the latter two tracks, but he doesn't solo. Alternate takes were located for "Frieda (With the Naturally Curly Hair)" and "Schroeder," while the campy "Little Birdie" features a rare vocal by the pianist, though the muted trumpet and backing band (aside from the rhythm section) are uncredited. Guaraldi recorded a number of television soundtracks after the success of A Boy Named Charlie Brown, though his premature death from a heart attack at the age of 47 in early 1976 saddened both Peanuts and jazz fans. Since this collection focuses on pieces that are portraits of characters within the strip, and many of Guaraldi's Peanuts-themed songs were previously issued on the Fantasy CD Charlie Brown's Holiday Hits, the label would have been left with a rather abbreviated album, unless it chose to license tracks from Guaraldi's sole Warner Bros. LP, Oh, Good Grief!, or recordings by other jazz artists for other labels. It is surprising that two tracks recorded by new age pianist George Winston (who recorded an album of Guaraldi's Peanuts songs for Windham Hill in 1996) were included to get this collection to at least LP length. Winston, who has frequently been savaged by jazz journalists (especially the late Martin Williams), plays with a little more gusto than on his own pieces in "The Masked Marvel" and a reprise of "Linus and Lucy," though his playing has a mechanical feel to it and his improvising skills are not at the level of a jazz pianist. Derrick Bang's detailed liner notes give extensive background to each of the characters portrayed. The number of previously unavailable tracks will make Peanuts Portraits of interest to fans of Vince Guaraldi, though it falls short of being an essential CD by the late pianist.  by Ken Dryden  
Tracklist
1 Linus And Lucy 3:09
2 Sally's Blues 1:59
3 Blue Charlie Brown (Version #2) 2:05
4 Peppermint Patty 2:39
5 Charlie's Blues (Variation) 2:30
6 Joe Cool 2:57
7 Frieda (With Naturally Curly Hair) (Alternate) 6:07
8 Schroeder (Alternate) 2:57
9 Little Birdie (Vocal Vince Guaraldi) 3:16
10 The Masked Marvel 5:37
11 Linus And Lucy 3:15
Credits
Collin Bailey - Drums
Monty Budwig - Bass
Vince Guaraldi - Composer, Piano, Primary Artist, Soloist, Vocals
Tom Harrell - Trumpet
Seward McCain - Bass
George Winston - Composer, Piano


sábado, 29 de agosto de 2020

EDEN ATWOOD - This Is Always : The Ballad Session (2004) FLAC (image+.cue), lossless


Eden Atwood exhibits a confidence that few jazz vocalists of her generation seem to have in standards. While others seem to be opting for lightweight rock hits from the 1970s and 1980s, Atwood is able to find new approaches to old chestnuts that seem to be overlooked in the early 21st century. She shines in pianist Bill Cunliffe's loping arrangement of "Without a Song." Atwood restores the frequently omitted verse to "This Is Always," then steps back to feature Tom Harrell's brilliant, fragile trumpet, while conveying the lyrics with a sincerity that few singers seem able to convey. "Blame It on My Youth" is a powerful performance. She sings the verse unaccompanied, with bassist Darek Oleszkiewicz joining her afterward as her sole backing, then Harrell's emotional trumpet takes her place to wrap it. Cunliffe's piano playing in "Deep Purple" is a throwback to an earlier era, as Atwood captures the nuances of this gem. But it is hard to surpass her moving rendition  of "You Leave Me Breathless." Atwood and her musicians are clearly having fun in their fresh take of "Come Rain or Come Shine," with space devoted to Cunliffe's down-home piano and Harrell's spirited trumpet, as well as the leader's confident vocals. The haunting finale is "For All We Know," a lush duet for voice and piano. Highly recommended. by Ken Dryden 
Tracklist:
1     Without a Song    6:05
Edward Eliscu / Billy Rose / Vincent Youmans
2     This Is Always    4:59
M. Gordon / Harry Warren
3     Day by Day    5:15
Sammy Cahn / Paul Weston
4     Blame It on My Youth    6:36
Oscar Levant
5     Deep Purple    4:57
Peter DeRose / Mitchell Parish
6     You're Nearer    5:45
Lorenz Hart / Richard Rodgers
7     Serenata    7:24
Leroy Anderson
8     You Leave Me Breathless    4:14
Ralph Freed / Friedrich Hollaender
9     Come Rain or Come Shine    6:27
Harold Arlen / Johnny Mercer
10     For All We Know    3:23
Steven Chino Lewis
Credits
Bass – Darek Oleszkiewicz
Drums – Larance Marable
Piano, Arranged By – Bill Cunliffe
Trumpet, Flugelhorn – Tom Harrell
Vocals – Eden Atwood