 Investigate the music of Beethoven's contemporaries who were well enough
 known to be called his rivals, and the idea of Beethoven as 
fist-shaking revolutionary comes in for some serious revision. Jan 
Ladislav Dussek, Bohemian-born, became famous all over Europe for piano 
music that was daring in every way. The three sonatas on this disc date 
from the very beginning of the nineteenth century. They have 
Beethovenian dimensions and conventions -- the Piano Sonata No. 18 in E 
flat major, Op. 44, is a "Farewell" sonata -- and their harmonic 
schemes, at both movement-wide and local levels, are ambitious. Listen 
to Dussek, or Hummel, and Beethoven begins to seem like the composer who
 brought their innovations back within the confines of classical 
frameworks. The clear outlines of Beethoven's movements are missing in 
these works, which are occasionally dull -- the incessant motor action 
of the first movement of the Piano Sonata No. 24 in F sharp minor, Op. 
61, is enough to make you want to leave the room for a sandwich and a 
beer, or to wish for the opening movement of the "Moonlight" sonata. But
 in the main these are expansive works with much to tell us about the 
music Beethoven was hearing and reacting to. Pianist Markus Becker 
delivers fine readings, with sensitivity to the rhetorical gestures of 
the music and an admirable refusal to pile more passion onto these works
 than they can comfortably handle. James Manheim
 Investigate the music of Beethoven's contemporaries who were well enough
 known to be called his rivals, and the idea of Beethoven as 
fist-shaking revolutionary comes in for some serious revision. Jan 
Ladislav Dussek, Bohemian-born, became famous all over Europe for piano 
music that was daring in every way. The three sonatas on this disc date 
from the very beginning of the nineteenth century. They have 
Beethovenian dimensions and conventions -- the Piano Sonata No. 18 in E 
flat major, Op. 44, is a "Farewell" sonata -- and their harmonic 
schemes, at both movement-wide and local levels, are ambitious. Listen 
to Dussek, or Hummel, and Beethoven begins to seem like the composer who
 brought their innovations back within the confines of classical 
frameworks. The clear outlines of Beethoven's movements are missing in 
these works, which are occasionally dull -- the incessant motor action 
of the first movement of the Piano Sonata No. 24 in F sharp minor, Op. 
61, is enough to make you want to leave the room for a sandwich and a 
beer, or to wish for the opening movement of the "Moonlight" sonata. But
 in the main these are expansive works with much to tell us about the 
music Beethoven was hearing and reacting to. Pianist Markus Becker 
delivers fine readings, with sensitivity to the rhetorical gestures of 
the music and an admirable refusal to pile more passion onto these works
 than they can comfortably handle. James Manheim
sexta-feira, 15 de dezembro de 2023
JAN LADISLAV DUSSEK : 3 Piano Sonatas (Markus Becker) (2006) FLAC (tracks), lossless
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https://nitroflare.com/view/77B9F0526C77E98/Dussek_(Markus_Becker)_Piano_Sonatas_Op.44
ResponderExcluir_61
_64_(2006
_cpo_777_020-2)_@FLAC.rar
https://trbbt.net/xaivnhso81d5/Dussek (Markus Becker) Piano Sonatas Op.44, 61, 64 (2006, cpo 777 020-2) @FLAC.rar.html