Investigate the music of Beethoven's contemporaries who were well enough
known to be called his rivals, and the idea of Beethoven as
fist-shaking revolutionary comes in for some serious revision. Jan
Ladislav Dussek, Bohemian-born, became famous all over Europe for piano
music that was daring in every way. The three sonatas on this disc date
from the very beginning of the nineteenth century. They have
Beethovenian dimensions and conventions -- the Piano Sonata No. 18 in E
flat major, Op. 44, is a "Farewell" sonata -- and their harmonic
schemes, at both movement-wide and local levels, are ambitious. Listen
to Dussek, or Hummel, and Beethoven begins to seem like the composer who
brought their innovations back within the confines of classical
frameworks. The clear outlines of Beethoven's movements are missing in
these works, which are occasionally dull -- the incessant motor action
of the first movement of the Piano Sonata No. 24 in F sharp minor, Op.
61, is enough to make you want to leave the room for a sandwich and a
beer, or to wish for the opening movement of the "Moonlight" sonata. But
in the main these are expansive works with much to tell us about the
music Beethoven was hearing and reacting to. Pianist Markus Becker
delivers fine readings, with sensitivity to the rhetorical gestures of
the music and an admirable refusal to pile more passion onto these works
than they can comfortably handle. James Manheim
sexta-feira, 15 de dezembro de 2023
JAN LADISLAV DUSSEK : 3 Piano Sonatas (Markus Becker) (2006) FLAC (tracks), lossless
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