Mostrando postagens com marcador Conte Candoli. Mostrar todas as postagens
Mostrando postagens com marcador Conte Candoli. Mostrar todas as postagens

domingo, 6 de setembro de 2020

JUNE CHRISTY - Something Cool (The Complete Mono & Stereo Versions) (2001) FLAC (image+.cue), lossless


June Christy's Something Cool, originally released as a 10" LP in 1954, single-handedly inaugurated the cool jazz vocal movement. Christy had been a star vocalist with the Stan Kenton Orchestra in the late '40s, enjoying major hits with "Tampico" and "Shoo Fly Pie & Apple Pan Dowdy." Soon after she left the band, she began working with key Kenton arranger Pete Rugolo and a slew of top West Coast studio musicians (including her husband, tenor saxophonist Bob Cooper) on her first solo album for Capitol Records. The result was Something Cool, which is both a winning showcase for Christy's wistful style and a landmark of cool jazz modernism. From the start, Christy established herself as an artist who strove for the very best in song selection, arrangements, and notably intelligent interpretation. There were perhaps other vocalists with greater vocal equipment, but few could match June Christy's artistic integrity. The celebrated title track is the soliloquy of a female barfly of a certain age, reminiscing (and fantasizing) about better days to a fellow male patron who just might buy her another drink. It immediately became Christy's signature performance, and remained so throughout her career. Other highlights include a swinging "It Could Happen to You," "Midnight Sun," and an ambitious arrangement of Kurt Weill's "Lonely House." by Richard Mortifoglio  
Tracklist:
1 Something Cool 4:17
Bass – Joe Confort 
Drums – Frank Carlson
Flute, Alto Saxophone – Gus Bivona
Guitar – Barney Kessel
Piano – Geoff Clarkson 
Trumpet – Jimmy Zito 
Written-By – Bill Barnes 
2 It Could Happen To You 1:55
Written-By – J. Van Heusen, J. Burke 
3 Lonely House 3:56
Written-By – K. Weill, L. Hughes
4 This Time The Dream's On Me 1:29
Written-By – H. Arlen-J. Mercer 
5 The Night We Called It A Day 4:48
Written-By – M. Dennis*, T. Adair 
6 Midnight Sun 3:13
Alto Saxophone – Skeets Herfurt, Willie Schwartz 
Bass Trombone – Dick Noel  
Drums – Alvin Stoller
Guitar – Tony Rizzi
Piano – Paul Smith  
Tenor Saxophone – Fred Fallensby
Trombone – Dick Reynolds, Nick DiMaio
Trumpet – Ray Linn, Ray Triscari, Uan Rasey
Written-By – Mercer, Hampton, Burke 
7 I'll Take Romance 2:19
Written-By – B. Oakland, O. Hammerstein 
8 A Stranger Called The Blues 3:56
Written-By – M. Torme, R. Wells 
9 I Should Care 2:08
Written-By – Stordahl, Weston, Cahn
10 Softly As In A Morning Sunrise 2:13
Piano – Claude Williamson
Trombone – Bob Fitzpatrick
Written-By – O. Hammerstein, S. Romberg
11 I'm Thrilled 2:39
Written-By – S. Lippman, S. Dee
12 Something Cool 4:57
Written-By – Bill Barnes
13 It Could Happen To You 2:00
Written-By – J. Van Heusen, J. Burke
14 Lonely House 4:03
Written-By – K. Weill, L. Hughes
15 This Time The Dream's On Me 1:36
Written-By – H. Arlen-J. Mercer
16 The Night We Called It A Day 4:53
Written-By – M. Dennis T. Adair
17 Midnight Sun 3:31
Written-By – Mercer, Hampton, Burke
18 I'll Take Romance 2:20
Written-By – B. Oakland, O. Hammerstein
19 A Stranger Called The Blues 4:19
Written-By – M. Torme, R. Wells
20 I Should Care 2:11
Written-By – Stordahl, Weston, Cahn
21 Softly As In A Morning Sunrise 2:14
Written-By – O. Hammerstein, S. Romberg
22 I'm Thrilled 2:47
Written-By – S. Lippman, S. Dee
Credits:
Alto Flute – Bud Shank (tracks: 4, 5, 11), Harry Klee (tracks: 4, 5, 11)
Alto Saxophone [Soloist] – Bud Shank
Alto Saxophone, Flute – Bud Shank (tracks: 1 to 5, 7 to 22), Harry Klee (tracks: 2 to 5, 7 to 9, 11, 12, 14 to 17, 20, 21)
Arranged By, Conductor – Pete Rugolo
Baritone Saxophone – Bob Gordon (tracks: 4, 5, 10, 11), Chuck Gentry (tracks: 1, 6 to 8), Johnny Rotella (tracks: 2, 3, 9)
Bass – Harry Babasin (tracks: 4, 5, 11), Joe Mondragon (tracks: 2, 3, 6 to 10, 12 to 22)
Bass Trombone – George Roberts (tracks: 1, 12 to 22)
Drums – Larry Bunker (tracks: 12 to 22), Shelly Manne (tracks: 2 to 5, 7 to 11)
Flute – Ted Nash (tracks: 1 to 3, 7 to 9)
French Horn – John Graas (tracks: 2, 3, 7 to 9), Vincent DeRosa (tracks: 4, 5, 11, 13 to 16, 18 to 20, 22)
Guitar – Howard Roberts (tracks: 2 to 5, 7 to 11), Jack Marshall (tracks: 12 to 22)
Piano – Claude Williamson (tracks: 4, 5, 11), Joe Castro (tracks: 12 to 22), Russ Freeman (tracks: 2, 3, 7 to 9)
Reeds – Buddy Collette (tracks: 13, 18, 19, 22), Chuck Gentry (tracks: 12 to 22)
Tenor Saxophone – Jimmy Giuffre (tracks: 4, 5, 10, 11), Ted Nash (tracks: 1 to 3, 6 to 9)
Tenor Saxophone, Flute – Bob Cooper (tracks: 1 to 3, 7 to 10, 12 to 22), Paul Horn (tracks: 12 to 22)
Trombone – Frank Rosolino (tracks: 4, 5, 11 to 22), Harry Betts (tracks: 2 to 5, 7 to 9, 11, 12, 17, 21), Herbie Harper (tracks: 1, 10), Milt Bernhart (tracks: 1 to 5, 7 to 22), Tommy Pederson (tracks: 1 to 3, 6 to 9)
Trumpet – Conrad Gozzo, Conte Candoli (tracks: 10, 12 to 22), Frank Beach (tracks: 6, 12 to 22), Maynard Ferguson (tracks: 1 to 5, 7 to 9, 11), Ollie Mitchell (tracks: 12, 17, 21), Shorty Rogers (tracks: 1 to 5, 7 to 11)
Tuba – Paul Sarmento (tracks: 2 to 5, 7 to 9, 11), Phil Stephens (tracks: 13 to 16, 18 to 20, 22)
Vocals – June Christy

PEGGY CONNELLY - Hollywood Sessions (2018) RM / FLAC (tracks), lossless


By the time she was 15, Peggy Connelly (1931-2007) had a lovely voice that won her jobs singing with competitive big bands in her hometown of Fort Worth, Texas. At 18, she went in search of work as a model and singer, and after a difficult start, she moved to Hollywood. Once there, she landed two significant opportunities.
The first involved her appearance in motion pictures and TV shows. The second and more important opportunity was the start of her career as a single recording artist. When she sang, Connelly put to good use her beautiful, round tone and commendable lack of artifice to project the intent of any song with lucidity.
She was Frank Sinatra’s girlfriend for over two years, and their relationship opened many doors for her with musicians and the Hollywood studios. Even though Connelly had few significant opportunities in her career to show off her talent as a singer, the times she did resulted in these magnificent recordings. Sinatra, not very fond of praising his colleagues, had no qualms about praising Connelly. When he first heard her sing Ev’ry Time We Say Goodbye, he said: “Hi, beautiful lady, you are wonderful.” freshsoundrecords.
Tracklist:
1. You Make Me Feel So Young (Mirow-Gordon) 3:02
2. Trouble Is a Man (Joe Pasternack) 2:41
3. Where Did the Gentlemen Go? (Bobby Troup) 3:07
4. I Have Said Goodbye to Spring (Victor Young) 2:25
5. What Is There to Say? (Harburg-Burke) 2:54
6. Trav'lin' Light (Mercer-Mundy-Young) 2:29
7. Ev'ry Time We Say Goodbye (Cole Porter) 3:18
8. Alone Together (Schwartz-Dietz) 3:16
9. I Got Plenty 'o Nuttin’ (G.& I. Gershwin) 2:40
10. Fools Rush In (Mercer-Bloom) 2:24
11. Ev'ry Time (Martin-Blane) 2:10
12. Gentleman Friend (Horwitt-Lezzine) 2:46
13. It Never Entered My Mind (Rodgers-Hart) 4:26
14. Why Shouldn't I? (Cole Porter) 2:59
15. That Old Black Magic (Arlen-Mercer) 3:14
16. He Was Too Good to Me (Rodgers-Hart) 2:44
Total time: 46:55 min.
Credits:
Tracks #1-4, from the album “Peggy Connelly Sings” (Nocturne NLP-11/FSR-607)
Tracks #5-16, from the album “Peggy Connelly” (Bethlehem BCP-53)
Also entitled "That Old Black Magic"
Peggy Connelly, sings in all tracks
Personnel on #1-4: Marty Paich’s Orchestra
Jimmy Rowles, piano; Harry Babasin, bass; Roy Harte, drums; Stella Castellucci, harp; Edgar Lustgarten, Kurt Reher, Nat Shapiro, Karl Gottlieb, cellos.
Recorded at Western Recorders Studio, Hollywood, December 15, 1954
Personnel on #5-16: Russell Garcia’s Wigville Band
Conte Candoli, Pete Candoli, Stu Williamson, trumpets; Russ Cheever, soprano sax; Charlie Mariano, alto sax; Bill Holman, tenor sax; Jimmy Giuffre, baritone sax; Al Hendrickson, guitar; Max Bennett, bass; Stan Levey, drums. Featured percussion on #9 & 15: Jack Costanzo, bongos, Ramón Rivera, congas; Willy Gallardo, timbales.
Recorded at Radio Recorders Studio, Hollywood, January 16, 17 & 18, 1956

RUTH PRICE - Ruth Price with Shelly Manne & His Menn at the Manne-Hole (1961-1991) RM / FLAC (image+.cue), lossless


Singer Ruth Price on this early set falls somewhere between swinging jazz, middle-of-the-road pop, and cabaret. She does not improvise much, but her strong and very appealing voice uplifts the diverse material that she interprets (including "Dearly Beloved," "Shadrack," "Crazy He Calls Me," and "Look for the Silver Lining"), and she brings great sincerity to Leonard Bernstein's "Who Am I." Backed by Shelly Manne's quintet (with plenty heard from pianist Russ Freeman, but just guest spots by Richie Kamuca on tenor and one lone appearance by trumpeter Conte Candoli), Price is in fine form for her debut recording as a leader, which has been reissued on CD in the OJC series. by Scott Yanow
Tracklist:
1 I Love You 2:47
2 They Say It's Spring 3:35
3 Listen Little Girl 4:41
Fran Landesman / Tommy Wolf
4 Dearly Beloved 2:38
Jerome Kern / Johnny Mercer
5 I Know Why 3:57
6 Shadrack 3:31
7 Crazy He Calls Me 4:29
Bob Russell / Carl Sigman
8 Nobody Else But Me 2:55
Oscar Hammerstein II / Jerome Kern
9 Nobody's Heart 4:32
Lorenz Hart / Richard Rodgers
10 All I Do Is Dream of You 2:06
Nacio Herb Brown / Arthur Freed
11 Who Am I 4:19
 12 Till the Clouds Roll By/Look for the Silver Lining 3:30
Buddy DeSylva / Jerome Kern / P.G. Wodehouse
Credits
Bass – Chuck Berghofer
Drums – Shelly Manne
Piano – Russ Freeman
Tenor Saxophone – Richie Kamuca (tracks: 1 to 4, 10, 12)
Trumpet – Conte Candoli (tracks: 7)
Vocals – Ruth Price