JULIE LONDON - About the Blues (1957-2002) FLAC (tracks+.cue), lossless

Julie London wasn't really a jazz singer, but she possessed a definite jazz feeling and many of her finest albums (such as Julie Is Her Name and Julie...At Home) feature small-group jazz backings. About the Blues was aimed at the 1950s pop market, but it may just be her best orchestral session. Since downbeat torch songs were London's specialty, the album features an excellent selection of nocturnal but classy blues songs that play to her subtle strengths instead of against them. Likewise, Russ Garcia's clever arrangements bleed jazz touches and short solos over the solitary strings and big-band charts. Like June Christy, London usually included a couple of new songs in with a selection of standards, and her husband, Bobby Troup, wrote two excellent numbers for the album. One of them, the emotionally devastating "Meaning of the Blues," is the album's highlight, and was turned into a jazz standard after Miles Davis recorded it the same year for Miles Ahead. by Nick Dedina
Tracklist:
1 Basin Street Blues 3:06
Spencer Williams
2 I Gotta Right to Sing the Blues 2:58
Harold Arlen / Ted Koehler
3 A Nightingale Can Sing the Blues 3:11
Dick Charles / Larry Markes
4 Get Set for the Blues 2:44
Joe R. Karnes
5 Invitation to the Blues 2:51
Doris Fisher / Arthur Gershwin / Allan Roberts
6 Bye Bye Blues 1:41
David Bennett / Chauncey Gray / Frederick Hamm / Bert Lown
7 Meaning of the Blues 2:58
Bobby Troup / Leah Worth
8 About the Blues 3:08
Arthur Hamilton
9 Sunday Blues 2:56
Leonard Adelson / Geoff Clarkson
10 The Blues Is All I Ever Had 2:53
Bobby Troup
11 Blues in the Night 3:41
Harold Arlen / Johnny Mercer
12 Bouquet of Blues 2:58
Arthur Hamilton
- Bonus Tracks -
13 Baby, Baby All the Time 2:25
Bobby Troup
14 Shadow Woman 2:39
Arthur Hamilton
15 Meaning of the Blues 2:58
Bobby Troup / Leah Worth
16 Dark 2:38
Edwin Greines
Credits:
Arranged By, Conductor – Russ Garcia
Accompanied By – Spencer-Hagan Orchestra (tracks: 16)

PEGGY CONNELLY - Hollywood Sessions (2018) RM / FLAC (tracks), lossless

By the time she was 15, Peggy Connelly (1931-2007) had a lovely voice that won her jobs singing with competitive big bands in her hometown of Fort Worth, Texas. At 18, she went in search of work as a model and singer, and after a difficult start, she moved to Hollywood. Once there, she landed two significant opportunities.
The first involved her appearance in motion pictures and TV shows. The second and more important opportunity was the start of her career as a single recording artist. When she sang, Connelly put to good use her beautiful, round tone and commendable lack of artifice to project the intent of any song with lucidity.
She was Frank Sinatra’s girlfriend for over two years, and their relationship opened many doors for her with musicians and the Hollywood studios. Even though Connelly had few significant opportunities in her career to show off her talent as a singer, the times she did resulted in these magnificent recordings. Sinatra, not very fond of praising his colleagues, had no qualms about praising Connelly. When he first heard her sing Ev’ry Time We Say Goodbye, he said: “Hi, beautiful lady, you are wonderful.” freshsoundrecords.
Tracklist:
1. You Make Me Feel So Young (Mirow-Gordon) 3:02
2. Trouble Is a Man (Joe Pasternack) 2:41
3. Where Did the Gentlemen Go? (Bobby Troup) 3:07
4. I Have Said Goodbye to Spring (Victor Young) 2:25
5. What Is There to Say? (Harburg-Burke) 2:54
6. Trav'lin' Light (Mercer-Mundy-Young) 2:29
7. Ev'ry Time We Say Goodbye (Cole Porter) 3:18
8. Alone Together (Schwartz-Dietz) 3:16
9. I Got Plenty 'o Nuttin’ (G.& I. Gershwin) 2:40
10. Fools Rush In (Mercer-Bloom) 2:24
11. Ev'ry Time (Martin-Blane) 2:10
12. Gentleman Friend (Horwitt-Lezzine) 2:46
13. It Never Entered My Mind (Rodgers-Hart) 4:26
14. Why Shouldn't I? (Cole Porter) 2:59
15. That Old Black Magic (Arlen-Mercer) 3:14
16. He Was Too Good to Me (Rodgers-Hart) 2:44
Total time: 46:55 min.
Credits:
Tracks #1-4, from the album “Peggy Connelly Sings” (Nocturne NLP-11/FSR-607)
Tracks #5-16, from the album “Peggy Connelly” (Bethlehem BCP-53)
Also entitled "That Old Black Magic"
Peggy Connelly, sings in all tracks
Personnel on #1-4: Marty Paich’s Orchestra
Jimmy Rowles, piano; Harry Babasin, bass; Roy Harte, drums; Stella Castellucci, harp; Edgar Lustgarten, Kurt Reher, Nat Shapiro, Karl Gottlieb, cellos.
Recorded at Western Recorders Studio, Hollywood, December 15, 1954
Personnel on #5-16: Russell Garcia’s Wigville Band
Conte Candoli, Pete Candoli, Stu Williamson, trumpets; Russ Cheever, soprano sax; Charlie Mariano, alto sax; Bill Holman, tenor sax; Jimmy Giuffre, baritone sax; Al Hendrickson, guitar; Max Bennett, bass; Stan Levey, drums. Featured percussion on #9 & 15: Jack Costanzo, bongos, Ramón Rivera, congas; Willy Gallardo, timbales.
Recorded at Radio Recorders Studio, Hollywood, January 16, 17 & 18, 1956