Drummer Peter Erskine's debut as a leader (originally made for
Contemporary and reissued on CD in the OJC series) finds him using top
players (most of whom had played with Steps Ahead) in various
combinations. Erskine performs a few of his own originals (including an
11-minute "All's Well That Ends" and a short drum solo) plus "My Ship,"
Wayne Shorter's "E.S.P.," and Bob Mintzer's "Change of Mind." With such
musicians as trumpeter Randy Brecker, tenors Michael Brecker and
Mintzer, pianist Kenny Kirkland, and vibraphonist Mike Mainieri getting
some solo space, this post-bop music (from an often-overlooked set) is
of consistent high quality. by Scott Yanow
Tracklist :
1 Leroy Street 7:55
Peter Erskine
2 In Statu Nascendi 1:30
Peter Erskine
3 E.S.P. 2:58
Wayne Shorter
4 Change of Mind 7:29
Bob Mintzer
5 All's Well That Ends 11:08
Peter Erskine
6 My Ship 5:44
Ira Gershwin / Kurt Weill
7 Coyote Blues 4:42
Peter Erskine
Credits :
Bass – Eddie Gomez
Congas, Shaker, Drum [Bata Drum] – Don Alias
Drums, Percussion, Keyboards [Obx] – Peter Erskine
Electric Piano, Keyboards [Obx] – Don Grolnick
Piano – Kenny Kirkland
Tenor Saxophone – Michael Brecker
Tenor Saxophone, Bass Clarinet – Bob Mintzer
Trumpet, Flugelhorn – Randy Brecker
Vibraphone [Vibes] – Mike Mainieri
terça-feira, 26 de abril de 2022
PETER ERSKINE - Peter Erskine (1982-1991) RM / FLAC (tracks+.cue), lossless
sábado, 19 de fevereiro de 2022
JOHN ABERCROMBIE, EDDIE GOMEZ WITH GENE JACKSON - Structures (2006) WV (image+.cue), lossless
This inspired trio session was recorded with the musicians sharing a single microphone, making for a particularly intimate listening experience. Guitarist John Abercrombie has never sounded better, displaying the subtle lyricism that is only one facet of his musical personality, while bassist Eddie Gómez is his usual fluid self and drummer Gene Jackson adds a soft touch, frequently sticking to brushes. Gómez opens the tasty "The Touch of Your Lips" with a warm arco solo, switching back to pizzicato as the trio gains steam. Their hushed interpretation of "Moon and Sand" is stunning, as is the understated bossa nova setting of Cole Porter's "Everything I Love." Their arrangement of Bill Evans' ballad "Turn Out the Stars" (which Gómez undoubtedly played hundreds of times during his 11-plus-year tenure with the pianist) is more straight-ahead and less dramatic than its composer's conception, though no less enticing. Originals by Abercrombie and Gómez also prove to be excellent vehicles for the trio's musical explorations. Highly recommended. by Ken Dryden
Tracklist :
1 Jazz Folk 9:29
Written-By – John Abercrombie
2 The Touch Of Your Lips 4:35
Written-By – Ray Noble
3 Moon And Sand 5:26
Written-By – Alec Wilder, Mortimer S. Palitz, William C. Engvick
4 Walter Pigeon 5:17
Written-By – Eddie Gomez
5 Everything I Love 6:39
Written-By – Cole Porter
6 Embraceable You 6:05
Written-By – George & Ira Gershwin
7 3 For Three 6:13
Written-By – John Abercrombie
8 Turn Out The Stars 5:28
Written-By – Bill Evans
9 Missing You 4:45
Written-By – Eddie Gomez
10 How Deep Is The Ocean 5:47
Written-By – Irving Berlin
Credits :
Bass – Eddie Gomez
Drums – Gene Jackson
Executive-Producer – Norman Chesky
Guitar – John Abercrombie
sábado, 29 de agosto de 2020
SYLVIA SYMS - ... Then Along Came Bill : A Tribute to Bill Evans (1989) FLAC (tracks+.cue), lossless

Sylvia Syms sang everything from cabaret to pop and jazz during her long career, and this tribute to the pianist Bill Evans, recorded nearly a decade after his death and just a few years prior to her passing at the age of 79, is a fine effort. Accompanied by Evans' longtime bassist Eddie Gomez, Evans' final drummer Joe LaBarbera, pianist Mike Renzi, and several guests who recorded with the late pianist on occasion, Syms brings out the essence of each of the 14 songs, though only one is an Evans' composition. Syms, who often described herself as a saloon singer and counted Frank Sinatra among her admirers, has a slightly smoky voice with a touch of vibrato due to being in her late seventies, but she knows how to make the most of her pipes. Renzi wisely doesn't attempt to mimic Evans' style at the keyboard, while the guests include flugelhornist Art Farmer, harmonica player Toots Thielemans, guitarist Kenny Burrell, and drummer Grady Tate (who spells LaBarbera on four tracks). Among the highlights are the soft bossa nova treatment of "The Touch of Your Lips," the playful rendition of "A Sleepin' Bee," and the touching finale of "Waltz for Debby." by Ken Dryden
