LIL HARDIN ARMSTRONG AND HER SWING ORCHESTRA - 1936-1940 {CC, 524} (1991) FLAC (tracks+.cue), lossless

Years before Joe Glaser assumed unmitigated control over Louis Armstrong's professional existence, Lil Hardin Armstrong essentially served as her husband's manager. She taught him music theory, and advised him how to dress in style and conduct himself with dignity in public. She also suggested when the time was ripe for Louis to break away from King Oliver's band and venture out on his own. Had it not been for Lil Hardin Armstrong, the Hot Five and Hot Seven recordings would never have come together the way they did, and Louis Armstrong's career would have unfolded much differently. Lil was a brilliant pianist. She sang in a gutsy manner, often using lyrics that were disarmingly funny. "Or Leave Me Alone" is one of the best examples of her knuckly humor that you'll ever hear. It also anticipates a song that Groucho Marx would present many years later as an elderly man singing softly under the spotlight at Carnegie Hall. "Show me a rose, and I'll show you a stag at bay...Show me a rose, or leave me alone," he sang, along with other lyrics that can only be described as surreal. Who wrote Groucho's song, and wasn't it closely based upon this spunky bit of fun from 1936? In another surprising premonition, "Brown Gal" is clearly the direct ancestor of "Bad Boy," a big hit for the Jive Bombers during the 1950s. Chu Berry is all over the first six selections, and Buster Bailey's clarinet lights up the first 14. Berry is succeeded by Robert Carroll, Prince Robinson, Tony Zimmers, and Russell Johns. Let's hear it for the great forgotten tenor players! When Wellman Braud showed up to play bass on April 15, 1937, Pops Foster retreated to the drums. It's the kind of a reaction you'd expect out of any sensible bassist, although Foster could have stood his ground. Maybe they flipped a coin. In any case, Foster uses the hi-hat with great success. These songs are all typical of the 1930s, a time when anybody could float a three-minute song regardless of lyrical content. Lil plays no piano on this collection until the session of September 9, 1939. And it isn't until March 18, 1940, that listeners get to enjoy a pair of instrumentals. In spite of the band being identified as Lil's Dixielanders, "Sixth Street" and "Riffin' the Blues" sound like pure unadulterated Harlem swing. The next place to go is Lil's fabulous 1961 session for Riverside Records, a strong installment in that marvelous series entitled Chicago: The Living Legends. by arwulf arwulf  

Tracklist:

1 Or Leave Me Alone 3:02
Lil Armstrong
2 My Hi-De-Ho Man 2:42

Lil Armstrong

3 Brown Gal 2:47
Lil Armstrong
4 Doin' the Suzie Q 2:54

Lil Armstrong

5 Just for a Thrill 2:52

Lil Armstrong

6 It's Murder 2:23

Lil Armstrong

7 Born to Swing 2:35

Lil Armstrong

8 (I'm on a) Sit Down Strike for Rhythm 2:47

Lil Armstrong

9 Bluer Than Blue 3:11

Lil Armstrong

10 I'm Knockin' at the Cabin Door 2:57

Lil Armstrong

11 Lindy Hop 2:54

Lil Armstrong

12 When I Went Back Home 2:40

Lil Armstrong

13 Let's Call It Love 3:04

Lil Armstrong

14 You Mean So Much to Me 2:53

Franz Jackson

15 Let's Get Happy Together 2:58

Lil Armstrong

16 Happy Today, Sad Tomorrow 3:12

Lil Armstrong

17 You Shall Reap What You Sow 3:02
18 Oriental Swing 2:59
19 Safely Locked Up in My Heart 3:02

Lil Armstrong

20 Everything's Wrong, Ain't Nothing Right 3:05

Lil Armstrong

21 Harlem on Saturday Night 2:42
Willie "The Lion" Smith
22 Knock-Kneed Sal (On the Mourner's Bench) 2:34
Lil Armstrong
23 Sixth Street 2:52
24 Riffin' the Blues 2:39
25 Why Is a Good Man So Hard to Find? 3:03
26 My Secret Flame 3:13
Lil Armstrong

VALAIDA SNOW - 1940-1953 {CC, 1343} (2004) FLAC (tracks+.cue), lossless

When Valaida Snow made a handful of hot records in Copenhagen during October of 1940, she had no idea that her recording career was about to be violently interrupted for nearly five years by people working for Adolf Hitler. Nazi Germany had already occupied Denmark when these "degenerate" jazz records were surreptitiously created in violation of the Nuremberg laws. In a horrible twist of fate, Snow was arrested by the Gestapo, charged with theft and drug use -- two activities at which the Nazis themselves excelled -- and spent many months in a concentration camp before being rescued by influential friends and sent back to the U.S. weighing about 70 lbs. Everything she'd owned had been confiscated, including the gold trumpet given her by Queen Wilhelmina. It took Snow several years to recuperate and gather her strength for a comeback. Her last two authentic swing records are placed at the beginning of this disc. These are amazingly gutsy performances of nice old songs, and she scats beautifully during "Carry Me Back to Old Virginny." The contrast between this pair of pleasant, cheerful stomps and the rest of the material in the chronology -- beginning with the Apollo session of 1945 -- is startling. Recording in New York for the first time since 1933 and sounding at times like young Dinah Washington, Snow sings three torchy ballads and a novelty bounce backed by Bobby Smith, his alto sax and orchestra. The bounce in question is called "Around the World" and features two harmonizing Valaidas in an early example of overdubbing. Her next couple of recording dates took place in Los Angeles, where prevailing pop production values seem to have infected the atmosphere alarmingly. Eight sides issued on the Bel-Tone label prove that Snow was a powerful singer who could flourish in front of any ensemble, even the huge orchestra with strings, flutes, and a keening vocal group billed as the Daydreamers. Snow prevails throughout, especially on "Lonesome Road," where her passionate singing transcends the entire ungainly production menagerie. On the second Bel-Tone session, Snow navigates well through the "exotic" orchestral score of "Caravan." Her ominously paced version of "Solitude" makes for an interesting comparison with Billie Holiday's approach to this Ellington opus. After a pokey, pouty, and slightly insane-sounding lament bearing the almost too-appropriate title "Frustration," Snow sails into "I Must Have That Man." With a brassy big band behind her, the singer sounds more at home than on any of the previous seven selections. From here on out Valaida Snow's story shifts into R&B territory. Recording for the Derby label in January of 1950, she was backed with a rocking jump band led by Jimmy Mundy, spiked with the fiery presences of baritone saxophonist Dave McRae and hot trumpeter Jonah Jones. "Tell Me How Long the Train's Been Gone" is the cooker. "Chloe" begins with bass clarinet tones and delivers an incredible emotional charge as Snow belts out the lyrics with theatrical intensity. "Coconut Head" is a calypso novelty number, somewhat of a trend in 1950 -- even Sarah Vaughan did a number like this back then. The saga of Valaida Snow tapers off abruptly with two exciting R&B performances recorded in Chicago in 1953. "I Ain't Gonna Tell," a funky baritone sax rocker, is a tantalizing taste of further developments the world would never get to hear from this tough little woman. Underappreciated and grievously underpaid, she struggled to establish herself as a performer in a country where the public had never been all that aware of her existence. Following a performance at New York's Palace Theatre she was felled by a stroke and passed away at the age of 50 in a Brooklyn hospital on the 30th of May 1956. by arwulf arwulf   
Tracklist:
1 Some of These Days 2:36
Shelton Brooks
 2 Carry Me Back to Old Virginny 2:49
James A. Bland
 3 The More I Know About Love 2:21
Valaida Snow
4 Around the World  2:33
Bennie Benjamin / George David Weiss
5 Porgy 2:45
Dorothy Fields / Jimmy McHugh
 6 My Heart Is Such a Fool 2:00
Valaida Snow
7 Fool That I Am 3:04
Floyd Hunt
 8 It's the Talk of the Town 2:57
Jerry Livingston / Al J. Neiburg / Marty Symes
 9 Lonesome Road 2:55
Gene Austin / Nat Shilkret
 10 If I Only Had You 2:42
Valaida Snow
11 Caravan 2:55
Duke Ellington / Irving Mills / Juan Tizol
 12 Solitude 2:52
Eddie DeLange / Duke Ellington / Irving Mills
 13 Frustration 2:54
Irving Mills
 14 I Must Have That Man 2:10
Dorothy Fields / Jimmy McHugh
 15 Tell Me How Long the Train's Been Gone 3:07
Traditional
 16 When a Woman Loves a Man 2:34
Bernie Hanighen / Gordon Jenkins / Johnny Mercer
 17 Chloe 3:08
Neil Moret (Chas. N. Daniels)
 18 Coconut Head 2:55
Valaida Snow
19 I Ain't Gonna Tell 2:36
Rudy Toombs
 20 If You Don't Mean It 2:56
Valaida Snow

BILLY HOLIDAY - 1933-1937 {CC, 582} (1991) FLAC (tracks+.cue), lossless

Two things stand out in these early recordings. One, of course, is Lady Day's already fully mature style. The other is the superb quality of the musicians who backed her. A Benny Goodman combo; Bunny Berigan and Artie Shaw with Joe Bushkin and Cozy Cole; Jonah Jones with Ben Webster and Teddy Wilson; Buster Bailey; a bunch of Basie-ites including the superb Lester Young. Even without her this would be a gem. by John Storm Roberts
Tracklist:
1 Your Mother's Son-In-Law 2:43
Mann Holiner / Alberta Nichols
2 Riffin' the Scotch 2:33
Fred Buck / Benny Goodman / Dick McDonough / Johnny Mercer
3 Did I Remember? 2:50
Harold Adamson / Walter Donaldson
4 No Regrets 2:35
Roy Ingraham / Harry Tobias
5 Summertime 2:54
George Gershwin / Ira Gershwin / DuBose Heyward
6 Billie's Blues 2:38
Billie Holiday
7 A Fine Romance 2:50
Dorothy Fields / Jerome Kern
8 I Can't Pretend 3:03
Harry Tobias
9 One, Two, Button Your Shoe 2:48
Johnny Burke / Arthur Johnston
10 Let's Call a Heart a Heart 3:01
Johnny Burke / Arthur Johnston
11 One Never Knows, Does One? 3:02
Mack Gordon / Harry Revel
12 I've Got My Love to Keep Me Warm 2:54
Irving Berlin
13 If My Heart Could Only Talk 3:02
Teddy Powell / Walter Samuels / Leonard Whitcup
14 Please Keep Me in Your Dreams 2:18
Vee Lawnhurst / Tot Seymour
15 Where Is the Sun? 2:46
Lee David / David Lee / John Redmond
16 Let's Call the Whole Thing Off 3:36
George Gershwin / Ira Gershwin
17 They Can't Take That Away from Me 3:02
George Gershwin / Ira Gershwin
18 Don't Know If I'm Comin' or Goin' 2:45
Lee Wainer
19 Me, Myself and I 2:35
Irving Gordon / Alvin Kaufman / Allan Roberts
20 A Sailboat in the Moonlight 2:49
John Jacob Loeb / Carmen Lombardo
21 Born to Love 2:38
J.K. Jerome / Jack Scholl
22 Without Your Love 2:52
John Lange / Fred Stryker
23 Getting Some Fun Out of Life 3:01
Joe Burke / Edgar Leslie
24 Who Wants Love? 2:33
Gus Kahn / Franz Waxman